agree to disagree (2010) コラージュ C Avery によって

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C Avery が販売

  • オリジナルのアートワーク コラージュ,
  • 寸法 高さ 8in, 幅 10in
  • カテゴリ コラージュ $500未満
Artist: C. Avery Title: agree to disagree Year: 2010 Medium: collage Size: 8X10 Price: On Request Reproductions: giclee quality printed Museo Artist cards from Cranes Paper co. hand signed by the artist with matching envelopes in Clearbags archival quality poly sleeves. Small cards:[...]
Artist: C. Avery
Title: agree to disagree
Year: 2010
Medium: collage
Size: 8X10
Price: On Request
Reproductions:
giclee quality printed Museo Artist cards from Cranes Paper co. hand signed by the artist with matching envelopes in Clearbags archival quality poly sleeves.
Small cards: 4.5"x5.8",
square cards: 5.2"x5.2"
large cards: 5.5"x7.3",
or panoramic cards: 9.2"x3.8"
and/or
giclee quality prints on Epson Ultra Premium photo paper luster finish or Ultra Premium Presentation paper matte finish hand signed by the artist.
square prints: 5"x5", 8"x8"
rectangular prints: 5"x7",8"x10"
panoramic prints: 4"x10", 6"x12

Artista: C. Avery
Título: acordar de no acordar
Año: 2010
Media: collage,
tomaño: 8X10
Precio: A petición
Reproducciones:
impresiones de calidad Giclee sobre tarjetas Museo Artist de (Cranes Paper co.) Mano firmada por el artista con sobres a juego en mangas calidad de archivo Clearbags.
tarjetas pequeño: 4.5 "x5.8",
tarjetas cuadrados: 5.2 "x5.2"
tarjetas grande: 5.5 "x7.3",
o tarjetas panorámica: 9.2 "x3.8"
y/o
impresiones de calidad Giclee sobre papel Epson Ultra Premium fotográfico acabado brillo o sobre papel Ultra Premium Presentación acabado mate. Mano firmada por el artista.
cuadrados impresiones: 5"x5", 8"x8"
rectangulares impresiones: 5"x7", 8"x10"
panorámica impresiones: 4"x10", 6 "x12

関連テーマ

CollageSurrealismIllustration

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Seeing's there's no point of reference that does not break down when looked fully in the face it's preferable to consider them (points of reference) as singular events in a chain of same seen most clearly when[...]

Seeing's there's no point of reference that does not break down when looked fully in the face it's preferable to consider them (points of reference) as singular events in a chain of same seen most clearly when seen from the corner of the eye as part of the larger construct that is a person's "Life". Kind of like the blurry forms in the subway cars passing by in the opposite direction in a tunnel. (Don't stare at this metaphor too long or you may go blind)..Insomuch there is no way to bio anyone without having the foolish thing break down when the head is turned to face it head on. How liberating!

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