anthony-still_life_with__Hendricks_Gin_bottle.jpg (2010) Peinture par Anthony Ulinski

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Vendu par Anthony Ulinski

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À propos de cette œuvre: Classification, Techniques & Styles Technique Peinture La peinture est une forme d'art consistant[...]
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I began my career in the arts as a studio furniture maker in 1976. My furniture and sculpture have been exhibited at the Smithsonian Craft Fair, the Philadelphia Museum of Art Craft Fair, Funeria in San Francisco,[...]

I began my career in the arts as a studio furniture maker in 1976. My furniture and sculpture have been exhibited at the Smithsonian Craft Fair, the Philadelphia Museum of Art Craft Fair, Funeria in San Francisco, and the John Elder Gallery in New York.

In 1993 I began painting, working with Elizabeth Lentz, Jacob Cooley and Beverly McIver. I had my first solo show of paintings in 2001 at Hager Smith Design Gallery in Raleigh. Since then, I have had solo shows every year, and regularly participate in juried and invitational group shows. My work has been featured in arts magazines and on book covers.

My awards include painting fellowships at The Virginia Center for Creative Arts and Vermont Studio Center.

I continue woodworking, accepting commissions and creating new work for galleries and exhibitions.

I also teach woodworking and painting workshops. I have taught at Penland School of Crafts in North Carolina , Haystack Mountain School of Crafts in Maine , Arrowmont School of Crafts in Tennessee , and Peters Valley Craft Center in New Jersey . This winter I will teach painting workshops at the Durham Arts Council and at Pocosin Arts Center in Columbia , North Carolina , and a woodworking workshop at East Carolina University in Greenville , North Carolina .


Ulinski approaches still life as a sculptor would, dwelling on the outline of things, on their volume and play of light, rendering objects on a table top or window sill like Cezanne did with the cone, cylinder, and sphere. Leah Stoddard, Director, Second Street Gallery, Charlottesville VA

It is praise to Ulinski that the domesticity and sacred ordinariness in these paintings would have appealed to someone like Emily Dickinson, no stranger to loss or minutely observed beauty. One of her poems reads:

There's a certain Slant of light,
On winter afternoons...
When it comes, the Landscape listens,
Shadows hold their breath...

Like these lines, Ulinski's paintings solemnity that moment when the light pauses in reverence before moving on. Nell Joslin, Raleigh News & Observer

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