Hanaë (2022) Printmaking by Anouck Olivier Amiot

Printmaking, 21.7x13.8 in
$5,196.16
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J'aime la vibration de la couleur, gratter la surface et découvrir ce qu'il y a dessous. La profondeur, les couleurs, la vibration, l'essence des êtres. Je suis beaucoup inspirée par le tatouage et les modifications corporelles. J'aime donner une seconde vie aux objets. ces objets exhibés, désirés, adorés. puis délaissés et jetés. Ils renaissent hauts [...]
J'aime la vibration de la couleur, gratter la surface et découvrir ce qu'il y a dessous.. La profondeur, les couleurs, la vibration, l'essence des êtres.
Je suis beaucoup inspirée par le tatouage et les modifications corporelles.

J'aime donner une seconde vie aux objets.. ces objets exhibés, désirés, adorés... puis délaissés et jetés. Ils renaissent hauts en couleurs grâce à mes outils et pinceaux

Related themes

OtherBodyTradition & ModernityInterculturality

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Après un parcours varié, Azelka se concentre aujourd’hui exclusivement sur les différentes facettes de son chemin artistique, en tant que plasticienne, tatoueuse/pierceuse, ou encore performeuse au sein du collectif [...]
Après un parcours varié, Azelka se concentre aujourd’hui exclusivement sur les différentes facettes de son chemin artistique, en tant que plasticienne, tatoueuse/pierceuse, ou encore performeuse au sein du collectif techno-Queer TFIF. De ses voyages au coin de la rue comme au bout du monde elle ramène des bouts d’histoires, des matériaux à détourner et recycler pour avoir matière à inventer de nouveaux mondes imaginaires et colorés… Souvent, Azelka, astigmate et myope, retire ses lunettes pour voir le monde comme il n’est pas : ainsi les craquelures, les tâches et autres imperfections deviennent des univers fantastiques. Mais ce sont les transmissions orales, les contes et la magie des mythes de la création de l‘univers dans différentes cultures qui forment le terreaux de son œuvre. «J’aime emmener les gens dans des mondes imaginaires et oniriques» Technique Acrylique sur médias variés. Je fabrique mes « cartes » ou « volumes » à gratter en appliquant une multitude de couches d’acrylique sur un support de récupération (planche de skate, lampe, ancien meuble ou décor de théâtre, pots de fleurs, mannequins……..) Après séchage, je viens graver avec des gouges dans ce millefeuille de peinture. En fonction de la profondeur et de mon geste, certaines couleurs se révèlent. C est grâce au mélange de la technique et de l’aléatoire que j obtiens cette vibration chromatique.

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