Red. (2016) 摄影 由 Andriy Solovyov

不出售
  • 原创艺术品 摄影, 数码摄影 / 操纵摄影
  • 外形尺寸 高度 13.2in, 宽度 16.5in
  • 艺术品状况 艺术品完好无损
  • 是否含画框 此作品未装裱
  • 分类 抽象主义 抽象主义
The strokes of red paint, boldly applied in the shape of a cross, stand out dramatically against the backdrop of a dirty wall. This striking contrast not only draws the eye but also invites contemplation about the meaning behind the imagery. The choice of red paint is significant; it often symbolizes passion, sacrifice, and even conflict. The cross, [...]
The strokes of red paint, boldly applied in the shape of a cross, stand out dramatically against the backdrop of a dirty wall. This striking contrast not only draws the eye but also invites contemplation about the meaning behind the imagery.

The choice of red paint is significant; it often symbolizes passion, sacrifice, and even conflict. The cross, a powerful symbol in various cultural and religious contexts, can evoke feelings of hope, redemption, or struggle. Positioned on a wall that is grimy and marked by time, the cross can represent the juxtaposition of purity and imperfection, suggesting that even in environments that seem neglected or forgotten, there remains a glimmer of significance and meaning.

The light scratches on the wall further enhance this narrative. They add a layer of texture and history, suggesting that the wall has borne witness to countless events, emotions, and interactions over time. Each scratch could represent a moment of wear, a story untold, or an experience that has left its mark. Together, these elements create a rich tapestry of visual and emotional resonance.

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RedPaintStrokeSmearWall

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I am interested in different categories of abstraction, as well as people and nature — my favorite themes. In my earlier work, I used film cameras, but now I prefer digital ones. Recently, I choose digital cameras [...]

I am interested in different categories of abstraction, as well as people and nature — my favorite themes. In my earlier work, I used film cameras, but now I prefer digital ones. Recently, I choose digital cameras for their high image detail.

I enjoy showing the extraordinary in the ordinary. Light and shadow create an amazingly elegant, ephemeral beauty in the surrounding world and a subtle simplicity in the image.

In most of my photographs, I shoot documentarily, but the only change in this process occurs when I work on the computer to make the final edits for printing. It is here that I allow myself greater freedom in how the photograph will ultimately look. I enjoy photographing in series.



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