このアートワークの写真をもっと見たい場合はお知らせください。
- 仕事の裏側 / 仕事の側面
- 細部 / 署名 / アートワークの表面またはテクスチャ
- アートワーク イン シチュエーション, その他...
Mister Moseley’s Candy Store (2024) 絵画 Andrew (Ana` Alu) Hollimon によって
このアートワークの写真をもっと見たい場合はお知らせください。
- 仕事の裏側 / 仕事の側面
- 細部 / 署名 / アートワークの表面またはテクスチャ
- アートワーク イン シチュエーション, その他...
詳細情報
- 包装 (ボックスまたはカートンのパッケージ) すべてのアートワークは、慎重に保護され、保険がかけられたプレミアムキャリアで出荷されます。
- モニタリング 購入者への引き渡しまでのご注文の追跡. 追跡番号が提供されるので、リアルタイムで荷物を追跡できます。
- 遅らせる ほとんどのパッケージは、1〜3週間以内に世界中に配送されます (見積もり)
詳細情報
- 追跡可能なオンラインCertificateof Authenticity 真正性証明書は、アートワークコードをスキャンすることにより、いつでもオンラインで確認できます。
- 認証評価のアーティスト 専門家は芸術家の仕事やキャリアを研究し、その後独立し、信頼性の平均価格の値を設定する。平均価格の値は、一定期間の価格帯でのアーティストsituates。専門家はまた、特定の作業のためのより正確な見積もりを確立するために求められることがあります。
詳細情報
SSL証明書と100％安全な支払い + 3D Secure.
詳細情報
-
オリジナルのアートワーク (One Of A Kind)
絵画,
キャンバスの
アクリル
/
オイル
- 寸法 高さ 30in, 幅 40in
- アートワークの状態 アートワークは完璧な状態です
- フレーミング このアートワークは額装されていません
- カテゴリ 絵画 $5,000未満 抽象芸術 幾何学的な
As titled the vibrant piece evolved from a common geometric exercise, to a piece dear to my heart and life.
Growing as a toddler to a pre-12 year old black kid in segregated small town Arkansas taught me much. First and foremost was the joy of actual expanses of mid-city wooded acreage across the city. Nothing like Cowboys and Indians in real woods with 10 to 12 boys. Another joy (looking back) was the reality of walking appriximately 2.5 miles from home to the “part-of-town” segregated grade school. (The family move up North at my age 11, I also found segregated schools.. not meant as a social statement; Americana).
The walk took me and a younger brother (18 months younger) along the gravel street of a GrandMother (Dad’s side). Upon spotting us walking across the street via a clay path, she would reach through her kitchen curtain and beckon us over. She would make certain we looked neat for school and hand us each a Nickel. Yup long ago ….the “OG “ life. The nickel was importsnt as it allowed us to buy a candy bar at school. All kids didn’t have a nickel. And, the Candy Store reemerges.
Mister Moseley was an entrepreneur who would secure boxes of candy from a wholesale outlet and deliver to our grade school teachers who in-turn, sold the candy to students before afternoon recess…..for a nickel ($.05). Don’t know why Mom nor Dad never gave us the nickels; but sure GrandMa cherished the early morning visits with her two of her three oldest grand-kids.
The Candy Store piece offers visual endorphin triggers for any viewer who appreciates vibrant colors, shapes and object inter-positioning, and “eye-candy” layering. Appreciation, a desired result even if the viewer isn’t fond of the art style or the artists choices. The piece leverages the color choice relationships of (Bauhaus style) powerful primary colors like Red, yellow and blue with less power colors green, orange and violet. All applied on positioned shapes and objects accented with vision capturing gold color. Colors have been applied over foundational modeling paste details to highlight the background and possibly capture and hold the viewer beyond a passing glance. Illuminary brilliance of gilding leaf facilitated achievement of a personal credo: the hammer strikes the nail that stands out. Within the personal belief that: ART LIVES WHEN IT IS SEEN.
This week I read a statement along the line “ ….everybody won’t like your art”. A true sentiment which pales when the artists holds “personal satisfaction” a far-off first consideration beyond sales. Even though exhibition and sales are totally validating realities.
“MISTER MOSELEY’s CANDY STORE”, 30W x 40H, acrylic, modeling paste, gilding leaf sheets, oil resin gel impasto light shading / Bob Ross Midnight Black oil paint. A piece that exhibits best via off setting ambient light.
関連テーマ
Andrew (Andy) Hollimon, hereafter Ana`alu, creates and develops from the same artistic creative vision and mission. Ana`alu develops with a personal devotion reaching the eye as a portal to individual sensory perception which in turn generates interest as the foundation for piquing consumer interest. He creates with a methodology that embodies detail, unfiltered and unrestricted use of color, focused like a novel theme with visuals that deliver a message often delineated via the title of the piece. A personal mission is to capture an audience, entertain with visuals and offer a visual reward to any viewer who views the piece in close proximity. “Wow, as I look closer I didn’t see that from a few feet away!” Ana`alu isn’t a specialty or theme artists. From his favorite piece of Jimi Hendrix his unique left-handed use of a Fender Stratocaster (2014) through the frequent development of wildlife pieces, to landscape scenes, moonscapes and much more frequent real life storied pieces, he employs Realism and uniqueness ground in originality. Oil colors, use of the palette knife, acrylic gesso, modeling paste, and canvas are the tools of his craft. Ana`alu’s background, despite degree matriculation through the level of an MBA, does not include training in the arts. His exhibits include piece exhibits in: ATB Fine Arts Continuum V, VI & VII, (West Palm Beach), ATB Fine Arts African Diaspora exhibits, The Box Gallery (West Palm Beach) The Broward Art Guild, Broward State College African American art exhibits. And various exhibits entries via the Delray Art League, Art Fort Lauderdale On The Water, The Lake Worth Art League, Lauderdale Lakes Art in the Round, Radioactive Shangri La exhibit, The Wellington Art Society. His work has also received Honorable Mention via various The Light & Space Online Gallery competitions (Animals, Patterned abstract, and Open Calls),Ana` Alu’s Artist StatementI accomplish each art project with focused attention to a personal belief the eye is a portal to the mind's sensory zones. As a portal to the human psyche, piquing interest initiates a process that facilitates human consumerism. “The eye is a portal to sensory perception; the hammer will only find the nail that stands out.”Once the sensory zones are excited (color, message, theme), the existential reality of humanism leads to the purchase of art
-
国籍:
アメリカ合衆国
- 生年月日 : 日付不明
- 芸術的ドメイン：
- グループ： 現代アメリカ人アーティスト
アンドリュー・“アナアル”・ホリモン：芸術が語り、問いかけ、そして明らかにするとき
