Phone addicted (2024) Arte digital por Andrea Botton

Papel de bellas artes, 8x9 in
  • Este trabajo es una "edición abierta" Arte digital, Impresión Giclée / Impresión digital
  • Dimensiones Varios tamaños disponibles
  • Varios apoyos disponibles (Papel de bellas artes, Impresión sobre metal, Impresión sobre lienzo)
  • Enmarcado Enmarcado disponible (Marco flotante + bajo vidrio, Marco + bajo vidrio acrílico)
  • Estado de la obra de arte La obra de arte está en perfectas condiciones
  • Categorías Figurativo Vistoso
"Phone Addicted" is a vector graphic that explores the theme of digital connection with a well-defined style. The image depicts an individual engrossed in their phone, seated on a large, soft structure that resembles a plush toy. The vector quality is evident in the precision of the details and the clarity of the lines, providing a sharp and well-defined [...]
"Phone Addicted" is a vector graphic that explores the theme of digital connection with a well-defined style.
The image depicts an individual engrossed in their phone, seated on a large, soft structure that resembles a plush toy.
The vector quality is evident in the precision of the details and the clarity of the lines, providing a sharp and well-defined image.
The predominant colors, apple green and orange, are chosen to add a touch of liveliness and freshness to the piece.
The work stands out for its balance between the human aspect of the subject and the technical quality of the design, offering a piece that reflects the simplicity and sophistication of our interaction with technology.

Temas relacionados

Digital ConnectionVector ArtPhone AddictionModern ArtPlayful

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Since I was a child, I have had a passion for art that goes beyond mere appreciation; it has become a continuous search for meaning and Archè. I have explored much of the art world, but in recent years I have [...]

Since I was a child, I have had a passion for art that goes beyond mere appreciation; it has become a continuous search for meaning and Archè.

I have explored much of the art world, but in recent years I have mainly focused on Computer-Generated Imagery (CGI), the medium I predominantly use today.

I am fascinated by the fact that images generated with CGI, while being visible, remain in the realm of nonexistence.

This duality of existence and intangibility intrigues me deeply: an image that persists in a form of permanence, while remaining ethereal and intangible.

Each of my CGI creations represents a journey through the boundary between the visible and the invisible, an exploration of the imaginary realm that challenges the conventions of reality.

My works are not simple representations, but rather windows into worlds that exist only at the intersection of perception and illusion.

With each rendering, I strive to capture and convey this tension between presence and absence, between matter and imagination.

In this space of duality, art becomes a reflection on the nature of perception and reality itself.

My work invites the viewer to immerse themselves in a visual experience that is as concrete as it is elusive, stimulating a meditation on what is truly real and what remains eternally elusive.

Through CGI, each image transforms into a kind of paradox, where imagination manifests in forms that, though perfectly visible, always remain on the boundary of nonexistence.

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