An Viaznikova 의 모든 작품
Botanical dreams • 2 작품
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Description of the hybrid states between plant and human, reality and dream. The works visualize the [...]
Description of the hybrid states between plant and human, reality and dream. The works visualize the fragility of memories through the metaphors of fading nature, as well as the boundaries of reality- through surreal mutations of forms.
The limits of subjective reality • 5 작품
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Subjective reality posits that perception shapes our understanding of the world, suggesting that individual [...]
Subjective reality posits that perception shapes our understanding of the world, suggesting that individual experiences define what is "real." This perspective faces limits, as it may lead to solipsism—where only one's own mind is sure to exist—undermining shared experiences and objective truth.
Dualism, traditionally separating mind and body, encounters challenges in explaining how these distinct realms interact. The "mind-body problem" raises questions about consciousness's nature and its effects on physical reality. This division can also hinder understanding of phenomena like emotions, which have both mental and physical components.
Together, the limits of subjective reality and dualism highlight the complexities of understanding consciousness and existence, emphasizing the need for more integrated frameworks that account for both subjective experiences and objective realities.
Dualism, traditionally separating mind and body, encounters challenges in explaining how these distinct realms interact. The "mind-body problem" raises questions about consciousness's nature and its effects on physical reality. This division can also hinder understanding of phenomena like emotions, which have both mental and physical components.
Together, the limits of subjective reality and dualism highlight the complexities of understanding consciousness and existence, emphasizing the need for more integrated frameworks that account for both subjective experiences and objective realities.
The familiar principle • 9 작품
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Most people, when faced with a choice, usually prefer something or someone familiar rather than something [...]
Most people, when faced with a choice, usually prefer something or someone familiar rather than something new.
This common cognitive distortion is called the familiarity principle.
Recognition is usually accompanied by a feeling that people describe as a sense of ease, comfort, a “feeling of home.”
However, this effect, which simplifies decision-making and creates a comfort zone for the individual, can have unpleasant consequences.
New experiences can broaden a person's perspectives and create conditions for growth, but such experiences can be hindered by the principle of familiarity, which makes people overvalue the choices they have already made and maintain stereotypes.
This common cognitive distortion is called the familiarity principle.
Recognition is usually accompanied by a feeling that people describe as a sense of ease, comfort, a “feeling of home.”
However, this effect, which simplifies decision-making and creates a comfort zone for the individual, can have unpleasant consequences.
New experiences can broaden a person's perspectives and create conditions for growth, but such experiences can be hindered by the principle of familiarity, which makes people overvalue the choices they have already made and maintain stereotypes.
Ambivalence • 3 작품
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Ambivalence is a contradictory attitude toward an object or a dual experience caused by something. That [...]
Ambivalence is a contradictory attitude toward an object or a dual experience caused by something. That is, an object can provoke two antagonistic feelings in a person at the same time.
Ambivalence is inherent in some conceptions, concepts which simultaneously express sympathy and antipathy, love and hate. Quite often, one of these feelings can be unconsciously displaced, masking the other.
Ambivalence is inherent in some conceptions, concepts which simultaneously express sympathy and antipathy, love and hate. Quite often, one of these feelings can be unconsciously displaced, masking the other.
Comfort zone • 4 작품
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This series reflects those comfort zones from which we are constantly advised to leave, but perhaps [...]
This series reflects those comfort zones from which
we are constantly advised to leave, but perhaps where we are never were. In fact, there are so many comfort zones as there are people. After all, for everyone it is something different.
we are constantly advised to leave, but perhaps where we are never were. In fact, there are so many comfort zones as there are people. After all, for everyone it is something different.
인식
수상 경력
아티스트는 상과 상을 수상했습니다.
아티스트는 상과 상을 수상했습니다.
언론에 공개
아티스트가 미디어, 라디오 또는 TV 언론에 발표되었습니다.
아티스트가 미디어, 라디오 또는 TV 언론에 발표되었습니다.
아트페어에서 선보인
아티스트는 아트 쇼 및 박람회에 참여합니다.
아티스트는 아트 쇼 및 박람회에 참여합니다.
전문 아티스트
예술가라는 직업을 주 활동으로 발휘
예술가라는 직업을 주 활동으로 발휘
전기
"A sincere artist, fully immersed in the subject. No falsehoods."
An Viaznikova is a contemporary artist who captures the boundaries of reality, the fluidity of perception and the fragility of existence. In her works she combines meditative aesthetics with conceptual depth, creating visual narratives that balance on the edge of the material and illusory.
She was born in 1990 in Izmail, Ukraine. Graduated from Contemporary Art course, Higher School of Economics (2019), Tour of Modernism: from French Avant-Garde to American Pop Art and Beyond, School of the Art Institute of Chicago (2020), Art and Gender course, University of Melbourne (2021).
An uses a variety of media in her projects, from soft textile sculptures to immersive multi-layered painting and drawing.
She has participated in international exhibitions including “Conversation on Corporeality”, Moscow, “The Art of Water”, James May Gallery, USA and Miami Art Week, Wynwood. Her work has been published in magazines such as Art Hole Magazine, Ekphrasis Magazine. Also one of her works was nominated in Mellow Art Award, Tokyo. An's works are in private collections in France, Spain and others.
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국적:
벨라루스
- 생년월일 : 알 수 없는 날짜
- 예술적 영역: 전문 예술가들의 작품,
- 여러 떼: 전문 아티스트 현대 벨로루시 예술가
지속중인 그리고 다가오는 예술 행사
아직 사용할 수 있는 데이터가 없습니다.
영향
아직 사용할 수 있는 데이터가 없습니다.
교육
2021 - 2021
Sexing the Canvas: Art and Gender
University of Melbourne,
오스트레일리아
2020 - 2020
Modern Art & Ideas (lectures)
MoMA New York,
미국
2020 - 2020
Touring Modernism: From the French Avant-Garde to American Pop and Beyond
School of the Art Institute of Chicago,
미국
아티스트 가치 인증
아직 사용할 수 있는 데이터가 없습니다.
업적
상금 및 수상
2021
Mellow Art Award - Nominated
Tokyo,
일본
집단 박람회
2022
Christmas Exhibition
Moscow,
러시아
2022
Starfall / Zdes Na Taganke
Moscow,
러시아
2021
Uninvited Guest / Online
미국
2021
Art Of Water V / Artsy
London,
영국
2021
Familiar Strangers / Online
London,
영국
2021
Tuesday 11:30 / Red October
Moscow,
러시아
2020
Summer / Online - Envision Arts Gallery
미국
2020
Startup Like Art
Moscow,
러시아
2020
Talk About Corporeality
Moscow,
러시아
2020
One By One / Online
프랑스
간행물 및 언론
2020
Flip Media
미국
2020
Art Hole Magazine
영국
2021
Bez. Naz.- Chislinnichek
러시아
2021
Artbaazar- Don’t Stop Believing In Yourself With Anastasia Viaznikova
러시아
2021
Ekphrasis Magazine- Winter 2021
미국
2021
Polemical Zine
러시아
2022
Humankind Zine- Issue 4: Duality
미국
2022
Envision Arts Magazine- Volume 8
미국
개인전
2021
From The Inside / Online
벨라루스
ArtMajeur에서의 활동
마지막으로 수정 한 날짜 : 2025. 8. 4.
(2022 이후 회원)
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최신 뉴스
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2022. 10. 6.를 추가
2022. 10. 6.를 추가
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