If We’re Not Lovers.. (2022) 数字艺术 由 Amelia Latiff

美术纸, 8x12 in

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艺术图片银行
  • 该作品是“开放版” 数字艺术, GicléePrint / 数字打印
  • 外形尺寸 几种尺寸可供选择
  • 独家支持 (美术纸, 金属上的印刷, 画布上打印)
  • 是否含画框 有框架 (浮动框架+玻璃下, 框架+在丙烯酸玻璃下)
  • 分类 超现实主义 爱情
This work of art was inspired by René Magrette’s “The Lovers” (1928). It represents a modern day take on the famous painting that essentially asks its viewers to consider whether love can endure modernization. This is in spite of rapidly urbanizing societies increasingly locking individuals into stoic but soulless, nameless as well as faceless tragic [...]
This work of art was inspired by René Magrette’s “The Lovers” (1928). It represents a modern day take on the famous painting that essentially asks its viewers to consider whether love can endure modernization. This is in spite of rapidly urbanizing societies increasingly locking individuals into stoic but soulless, nameless as well as faceless tragic roles of the re-imagined “lover and her/his belovéd”.

In the above scenario, societies seek to depersonalize people away from the previous humanity that they experienced as children, adolescents, and young adults as they increasingly favor the pursuit of greater urban growth of sustainable finances or improved career prospects that are needed by the more professional working adult classes. This rat race may eventually prevent the initial feelings of romantic love from evolving into something that is built to last until death or beyond, as is with the usual images of previous romantic love. What remains is just an instinctive, indelible fight to sustain a love that is deprived of what is left of the original identities, valor and romantic values that now end up stifling the modernized Romeo and Juliet who are seeking the old connections that allowed them to breathe together in a healthy romantic relationship.

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LoveThe LoversTokyoUrban ArtNew Artist

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Art is a form that requires little introduction because we see it every day. But its highly subjective and controversial nature turns this field into one that is fraught with some difficulty for its target audiences [...]

Art is a form that requires little introduction because we see it every day. 

But its highly subjective and controversial nature turns this field into one that is fraught with some difficulty for its target audiences when they want to access the various artworks’ multifluous leitmotifs and meanings. This can often prevent certain themes as well as messages within these works from becoming clear and understandable to the viewers of any art project.

As an artist, I seek to challenge these obstacles by endeavoring to experiment with various everyday themes in many types of introspective artistic approaches to my art forms. These themes include the struggles around human rights access, sustaining personal freedoms, mental health, and personal isolation/connection. I also hope to investigate various aspects of feminism as well as deal with the conflicting traditional identities that clash with modern day ones that our societies desire to impose on individuals who seek independence above all odds.


Digital art and photography are my chosen mediums for the expression as well as investigations of these examples of artistic ideas or themes. I believe they are the best tools for me as they allow me to create my viewpoints and perspectives the way that I want them to be with little to no fuss. These methods are also great because they allow me to experiment with the latest technology that is available for today’s digital artists in ways that would have been previously been quite resource-limiting as well as expression-restricting.

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