Silver Sickle Moon (2018) 絵画 Amanda Horvath によって

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  • オリジナルのアートワーク (One Of A Kind) 絵画, キャンバスの アクリル
  • 寸法 高さ 29.9in, 幅 29.9in
  • アートワークの状態 アートワークは完璧な状態です
  • フレーミング このアートワークは額装されていません
  • カテゴリ 印象主義 風景
"Silver Sickle Moon" comes from a lovely birch wood near my home in the High Peak. During the Winter after a walk in the snow night draws on and at dusk the colours are beautiful. The wood is quiet with the dark tones and textures of the birch bark, it is soundless in the snow and the sky changes tones from pale yellows through to soft reds[...]
"Silver Sickle Moon" comes from a lovely birch wood near my home in the High Peak. During the Winter after a walk in the snow night draws on and at dusk the colours are beautiful. The wood is quiet with the dark tones and textures of the birch bark, it is soundless in the snow and the sky changes tones from pale yellows through to soft reds and pastel blues. An original artwork, one of a kind, this painting has been created with high quality acrylic paints on deep edged canvas, which are painted white. A frame is not needed and it is ready to hang. I use impasto techniques applied with a palette knife, which creates a contemporary painting.

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 Amanda Horvath is a contemporary artist producing vibrant colourful and highly textured original paintings. After studying fine art painting and printmaking at Sheffield Hallam University, where she achieved[...]

 Amanda Horvath is a contemporary artist producing vibrant colourful and highly textured original paintings. After studying fine art painting and printmaking at Sheffield Hallam University, where she achieved a B A Hons (1st class) Amanda subsequently lectured in colleges. She now practices full time as an artist from her studio in Derbyshire.

“Painting is a response to the beautiful landscape around me, I attempt to capture the spirit of the forest and the quiet tranquillity that exists in these peaceful places. Moved by the ethereal light filtering through leaves in woodlands and dramatic contrasting shadows, I have a passion for expressing nature in beautiful colours, whilst imparting a meditative calm. This affinity with nature has grown from early childhood and my past experiences."

Working from observation of nature Amanda gathers visual information with a sketchbook or camera and often begins a canvas en plein air, finishing these preliminary pieces in her studio. Working expressively in acrylics or oils, often with a palette knife or other mark making techniques she applies layer upon layer until the painting reaches a natural conclusion, forming contemporary paintings that lie somewhere between abstraction and realism. Her paintings have found homes with private collectors worldwide.

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