Colorado Mountain Gourmet (2010) Pintura por Allegretto

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Vendedor Allegretto

  • Obra de arte original Pintura, Acrílico en Lienzo
  • Dimensiones Altura 24in, Anchura 18in
  • Categorías Pinturas menos de 1.000 US$ Hiperrealismo
Trompe L'oeil 18x24 Original acrylic on canvas with ¾ finished painted sides. This is a painting that Lia wanted to use for a label for her organic sauces and salsas. The company is called:"Colorado Mountain Gourmet." If you click on the minus (-) sign above the painting, you can get an idea of how it will look reduced for[...]
Trompe L'oeil 18x24 Original acrylic on canvas with ¾ finished painted sides. This is a painting that Lia wanted to use for a label for her organic sauces and salsas.
The company is called:"Colorado Mountain Gourmet." If you click on the minus (-) sign above the painting, you can get an idea of how it will look reduced for the label.
Giclee prints are available on fineartamerica .com Click on links tab at the top of the page or contact the artist here.
(Original 46x62cm coi lati di 2cm) acrilico su tela. La veduta dei monti di Colorado. Il quadro sara` un'etichetta sulle bottiglie di sugo vegetariano. Se clicca il segno (-) (sopro il quadro) si puo` vedere come sara` quando il quadro e` fatto piu` piccolo per metterlo sulla etichetta.

Temas relacionados

Trompe LoeilWindow ViewRocky MountainsColoradoTomatoes

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Pamela Allegretto Franz attended Colorado University Extension in Denver, and later moved to Florence, Italy where she studied art and Italian at L’Università Per Gli Stranieri. To finance her education her[...]

Pamela Allegretto Franz attended Colorado University Extension in Denver, and later moved to Florence, Italy where she studied art and Italian at L’Università Per Gli Stranieri. To finance her education her job résumé was as colorful as the Renaissance city itself. She shivered as an artist’s model and sang the blues in catacomb nightclubs. She worked as an interpreter/translator for a textile company and hawked leather goods to tourists.
Back on US soil, the colors on her résumé remained vibrant. In addition to Italian teacher at Berlitz School of Languages and a two-year stint as a Playboy Bunny, she added hairdresser/salon owner, to her palette. Classes in writing, cartooning, and art filled whatever free hours remained.
In 1996 Pamela sold the hair salon and moved with her husband to Hawaii, where, for the following ten years, she devoted herself fulltime to painting and writing. Now, a resident of Connecticut, Pamela divides her time between painting, writing, and Italian poetry translations.
Pamela paints primarily in acrylic and watercolor. Her published art work includes book and CD covers, illustrations, and cartoons. Comprised in her collaborative efforts are patina and painted metal wall sculptures on display in Hawaiian galleries, and latex molded figure sculptures on exhibit in galleries and museums worldwide.
Pamela's published writings include dual-language poetry books and translations in Italian literary journals. Her published novels: BRIDGE OF SIGHS AND DREAMS and ASHES TO ASHES, DIAMONDS TO DUST are available in paperback and ebook at: Amazon and most online book stores.

She has enjoyed memberships in the Kona Art Center on the Island of Hawaii, the Connecticut River Artisans Cooperative, the East Hampton Art Association, and the East Haddam Art League.

Biografia:

Pamela Allegretto Franz è una Italo-Americana che abita nello stato di Connecticut negli Stati Uniti. Tanto grande è il suo amore per L’Italia che stupendi panorami di località Italiane costituiscono la maggior parte dei suoi disegni.
Per quanto riguarda i lavori artistici publicati, lei ha dipinto le illustrazioni di libri, copertini di libri, copertini di CD, fiumetti di giornali, ed innumerevoli disegni per importanti testate di stampa divulgativa e culturale.
Alcuni sui lavori artistici, in speciale modo sculture di metallo, preparati in collaborazione con altri illustri artefici Americani, sono in mostra prevalentemente nelle gallerie e musei di varie nazioni del mondo.

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