Labirinto II (2004) 绘画 由 Aldo Luiz De Paula Fonseca

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  • 原创艺术品 绘画,
  • 外形尺寸 高度 25.6in, 宽度 33.5in
  • 分类 画作 低于US$500 古典主义
carvão artificial sobre papel grosso e tinta acrilica 关于这件艺术品: 分类, 技术技巧 & 款式. 油. 由与亚麻子油或康乃馨结合的颜料组成的油漆。传统技术是将越来越富油的油漆层叠加在一起,形成坚固耐用的衣架。. 技术 绘画. 绘画是一种通过美学应用有色液体在表面上绘画的艺术形式。画家在诸如纸张,岩石,帆布,木材,树皮,玻璃,混凝土和许多其他基材等支撑物上表现出非常个性化的表达。 代表作品或发明作品,绘画可以是自然主义的,具象的或抽象的。它可以具有叙述性,描述性,象征性,精神性或哲学性的内容。. 相关主题. Panejamento Em Carvão Artificial Sobre Papel Grosso E Tinta Acrilica.
carvão artificial sobre papel grosso e tinta acrilica

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Panejamento Em Carvão Artificial Sobre Papel Grosso E Tinta Acrilica

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I am representative of the third generation of artists in my family. I was born in 15 of March of 1947, Rio De Janeiro. Of my grandfather, I inherited the taste for the Brazilian landscapes, the light and the [...]

I am representative of the third generation of artists in my family. I was born in 15 of March of 1947, Rio De Janeiro. Of my grandfather, I inherited the taste for the Brazilian landscapes, the light and the côr; of my father, I appraise it for the figure, the drawing and the expression. Naturalismo and expressionismo if establish, expanding my romantic temperament in an alchemy that produces screens of multiple subjects. They are gifts, since figures human beings, clowns, foliões, navies, feminine nakeds, to the landscapes where the sky is of blue a deep one and the multicolorful flowers. To dezessete years, I entered for the National School of Beautiful Arts of the UFRJ. In 1970, I left the School to enter Polygram recorder as Finalista Art and later Director of Art. Per one decade, I was the responsible professional for the creation of the parts of spreading of cast of Brazilian artists and some foreigners, between them: Tom Jobim, Elis Regina, Caetano Veloso, Gilbert Gil
I started to involve me with the subject "Carnival", from a refused record layer, when still she was operating graphical artist... Were successes of carnivals passed, rewritten for artists famous contemporaries. It was this yellow picture, that I called "the penultimate carnival", the clown drinking wine with pierrô touching violão. D the disillusionment of the refusal, right-hander to my Heleno friend Oliveira who, seeing the picture said: "_ Not esquenta with this staff not! (...), it goes pra house, it paints thirty pictures of these and it makes an exposition that goes to be a success ". Well... This was in 1983. The exposition alone left exactly in 1987, in the Toulouse Gallery, of the Cláudio Valansy, in Copacabana. A success was same. But, before this, they had been four years of many studies, drawings, and, to the end, thirty and five screens the ink oil, in some dimensions. The "green Clóvis" and the colored person of coasts w
"Naturalism and expressionism merge, expanding my romantic temperament in an alchemy that produces canvases of multiple themes."

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