work in progress (2024) Photography by Fotografo Alberto Moni

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$1,164.80
Usage: Web Licence
Using the image on a website or on the internet.
  1125 px  

1500 px
Dimensions of the file (px) 1125x1500
Use worldwide Yes
Use on multi-support Yes
Use on any type of media Yes
Right of reselling No
Max number of prints 0 (Zero)
Products intended for sale No
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Art image bank
  • Original Artwork Photography, Digital Photography
  • Dimensions 13x9.1 in
    Dimensions of the work alone, without framing: Height 11.8in, Width 7.9in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is framed (Frame + Under Glass)
  • Categories Conceptual Art Industry
About this artwork: Classification, Techniques & Styles. Digital Photography. Techniques for obtaining a photograph by using an electronic sensor as a photosensitive surface, then printing it on paper. Technic Photography. Photography refers to the combination of processes, techniques and materials that allow you to capture a subject in still images. [...]
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Photographer Photographic Deposit Hello, My name is Alberto Moni and I am a professional photographer with experience in fashion and commercial. After my artistic studies, at the age of twenty I began my professional [...]

Photographer Photographic Deposit Hello, My name is Alberto Moni and I am a professional photographer with experience in fashion and commercial. After my artistic studies, at the age of twenty I began my professional career as an assistant photographer at the Foto Atelier photography studio in Pisa. In those years I refined my knowledge of black and white printing techniques and slides. In the following years I continued to work as a photographer of city events and weddings in the Pisa area. Later I continued my photographic activity in the context of e-commerce for the Restar company in Pontedera, photographing through the still life technique, and then arrived in Florence where I collaborated with the luxury brand of high-end leather goods Sabani Florence. Among my inspirations: the psychedelic photography of Mick Rock and Richard Avedon, the creativity of Pierre et Gilles, the light of Caravaggio, the visionary surrealism of Andy Warhol, the Milanese architecture of Basilico, but also the works of Bruce Gilden, Mario Testino and David Lachapelle and, lastly, the charm of abandoned places to bring back to life through photography. I believe that photography should excite, provoke a vibration, ignite curiosity. My personal photographic philosophy tends to cancel the separation between photographer and subject: we are what we see and therefore, since the gaze is a central act in photography, we are also what we photograph.

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