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Childhood Illusions (2024) 绘画 由 Zakhar Shevchuk
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原创艺术品 (One Of A Kind)
绘画,
油
在帆布上
- 外形尺寸 高度 33.5in, 宽度 33.5in
- 艺术品状况 艺术品完好无损
- 是否含画框 此作品未装裱
- 分类 画作 低于US$5,000 超现实主义 儿童肖像
Shevchuk's artwork is not merely a painting; it is an odyssey back to the days of unburdened dreams. The use of pastel and vivid tones alike conjures up the boundless optimism of childhood, while the loose, almost impulsive application of paint suggests the way in which children encounter the world around them—unfiltered and raw. This canvas is a dialogue between the tangible and the intangible, where the solid form of the child wades through the intangible ocean of youthful reverie and disillusionment.
The artist's adept handling of color and form brings forth a sensory experience that transcends the visual; it invites the observer to recall the touch of imagination that once made the mundane magical. Through "Childhood Illusions," Shevchuk crafts a visual language that speaks of the universality of growing up—a language punctuated by the strokes of his brush and the vivid palette of his work.
By layering texture, shape, and color, Shevchuk constructs an artwork that is both a mirror and a window: a mirror reflecting our own lost innocence, and a window into the worlds we crafted as children, now distant and hazy with time. The large, square canvas becomes a field where reality and fantasy blend, and the viewers find themselves questioning whether the child is stepping out of the dream or into it.
相关主题
Zakhar ShevchukChildhood IllusionsContemporary ArtAbstract FigurativeEmotional Landscape
Zakhar Shevchuk is a young professional painter and draftsman, he holds a master in arts degree from the National Academy of Fine Arts and Architecture (Kyiv, Ukraine) and now himself teaches at the academy. His artworks are held in public and private collections worldwide, furthermore, he often participates in various public projects, such as painting murals and other monumental installations.
With years Zakhar's artistic style moved away from academic realism (which always tended closer to expressionism) and towards the style that in somewhere on the edge between figurative art and abstraction. In many of his works, even those that may seem as fully abstract ones, you will find some elements that were intentionally added, aiming to trick your brain into believing that you have finally found something recognisable, something that matches the reality, but then you suddenly loose it, starting the search over and over again.