Blue Lagoon (2024) 绘画 由 Julia Tokar (Jt)

油在帆布上, 31.5x23.6 in
US$864.74
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最大分辨率: 4000 x 5374 px
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Julia Tokar (Jt) 出售

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这件艺术品出现在5集
  • 原创艺术品 (One Of A Kind) 绘画, 在帆布上
  • 外形尺寸 高度 31.5in, 宽度 23.6in
  • 艺术品状况 艺术品完好无损
  • 是否含画框 此作品未装裱
  • 分类 画作 低于US$1,000 抽象主义 海景
Favorite impasto technique, inspired by Mark Rothko. A modern interpretation of the great master of abstract expressionism and color field painting. You can look at Rothko's paintings endlessly. in the same work, the modern author added his own touch of mystery and color combinations, as well as layering. the work is so relief that it looks[...]
Favorite impasto technique, inspired by Mark Rothko. A modern interpretation of the great master of abstract expressionism and color field painting. You can look at Rothko's paintings endlessly. in the same work, the modern author added his own touch of mystery and color combinations, as well as layering. the work is so relief that it looks like some kind of sculpture. For this, the author did not use anything other than oil paints, which he applied to each other for months, achieving relief. at the end there is a light coating of the intended color, through which the internal color schemes are illuminated, giving depth and mystery.

相关主题

Blue LagoonAbstract SeaAbstract SeascapeBlue LandscapeImpasto

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My creative path is a constant experiment. In my works, there is a definite connection between the spiritual and the material world. It is important for me not only to reveal the beauty of the human body or[...]

My creative path is a constant experiment. In my works, there is a definite connection between the spiritual and the material world. It is important for me not only to reveal the beauty of the human body or to show the variety of the color palette, but also to show the drama and emotions of the hero, and sometimes add mystery with the help of details. My goal is to arrange a dialogue between the viewer and the picture, to immerse them in a certain world of the theater, which I arrange on the canvas, I want to merge them together, where everyone will play their role, energize each other and enjoy the process of playing. I give the viewer the opportunity to fantasize, to interpret what he saw in his own way; often the work has several titles so that the owner of the work can see the versatility of the picture. Every time I have a choice between abstraction and figurativeness, this struggle has resulted in a certain alliance, where several styles can be combined in one work, which gives me the right to show my style. My abstract works are often endowed with hidden imagery, and figurative paintings are saturated with abstract elements who embody a kind of fantasy and meaning, sometimes hidden from others. The viewer's task is to find exectly that meaning ...

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