ARBORIGENE (2019) Painting by Xavier Auffret

Ink on Paper, 25.6x19.7 in
$1,192.63
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Encre et Acrylique sur Papier Canson 200g Les Aborigènes ont une connaissance profonde et ancienne de leur territoire, transmise de génération en génération. Leur compréhension de l'environnement, des plantes, des animaux et des cycles naturels est essentielle à leur survie et à leur mode de vie traditionnel. Ils ont développé des[...]
Encre et Acrylique sur Papier Canson 200g

Les Aborigènes ont une connaissance profonde et ancienne de leur territoire, transmise de génération en génération. Leur compréhension de l'environnement, des plantes, des animaux et des cycles naturels est essentielle à leur survie et à leur mode de vie traditionnel. Ils ont développé des systèmes complexes de gestion des terres et des ressources, utilisant des techniques telles que la pratique du brûlis pour régénérer les sols et favoriser la croissance des plantes comestibles.

La spiritualité aborigène est basée sur le concept du Temps du Rêve, également connu sous le nom de Temps du Rêve ou Dreamtime. Selon leur croyance, le Temps du Rêve est l'époque où les ancêtres mythiques ont créé le monde et les êtres vivants. Ils ont laissé leur empreinte spirituelle sur le paysage et continuent de veiller sur la terre et sur le peuple aborigène. Les histoires du Temps du Rêve sont transmises à travers des chants, des danses et des peintures rupestres, et constituent un moyen de préserver et de partager leur héritage culturel.

Related themes

ArborigenePeuple PremierEncre De ChineDessinPortrait

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After studying engineering, I turned to an artistic career by integrating the Decorative Arts of Paris. Passionate about drawing, I quickly moved towards a more solitary and personal search. My work is exhibited[...]

After studying engineering, I turned to an artistic career by integrating the Decorative Arts of Paris. Passionate about drawing, I quickly moved towards a more solitary and personal search. My work is exhibited regularly in Paris and in the provinces.

The subjects chosen are essentially portraits and landscapes.

As Yves Bonnefoy indicates - in his writings on art - "to touch the universal through the singularity of each thing, the portrait is a genre with the highest attracting head". The mystery of the presence of human beings has always questioned me. Translating consciousness, which is synthesized in a face, into a look allows me to approach the mystery of the person. Although it is understood that the mystery still remains intact.

Through the landscapes that inhabit me, I also find an echo of my own inner research. Each element participates in the whole, and the whole is found in each element.

Colorist, I pay attention to the general harmony so that it evokes space, light and poetry.

< p>Draughtsman, I am attached to composition, structure and balance.

The techniques used are acrylic, watercolor, pencil and spray paint, this on thick Kraft paper or canvas.

I have developed digital artworks in parallel. This flexible tool makes infinite experiments possible while working on what already exists. This flexibility is also found during printing, with remarkable fidelity both in terms of color rendering and contrast quality.

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