Une nouvelle étape Drawing by Christophe Moreau

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  • Original Artwork Drawing, Pencil on Paper
  • Dimensions Dimensions are available on request
  • Categories Drawings under $1,000 Hyperrealism
Même si le passage à l’acte peut être spontané, le tatouage relève souvent d’une envie profonde. C’est même une idée qui, la plupart du temps, remonte à l’enfance ; elle nous suit sans pour autant se concrétiser immédiatement. Avec la majorité, c’est une sorte de barrière qui se lève alors. Une occasion pour l’idée, longtemps contenue, de prendre vie.[...]
Même si le passage à l’acte peut être spontané, le tatouage relève souvent d’une envie profonde. C’est même une idée qui, la plupart du temps, remonte à l’enfance ; elle nous suit sans pour autant se concrétiser immédiatement. Avec la majorité, c’est une sorte de barrière qui se lève alors. Une occasion pour l’idée, longtemps contenue, de prendre vie. Ce rituel du passage à l’âge adulte est un dénominateur commun que l’on retrouve même aux origines du tatouage.

Lorsqu’il a atteint la majorité, suivant l’exemple de son frère, Johan a décidé de concrétiser son envie. Ses premiers tatouages sur les bras étaient à destination de ses parents, ils symbolisent l’histoire de sa famille : comme des piliers sur lesquels il peut compter et prendre appui pour se lancer dans la vie.
Son tatoueur : Stan Dottori

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Tatouage

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Born in Marseille, I am a self-taught artist. Part of my apprenticeship nevertheless took place through meetings and exchanges with a few artists from the Rhône-Alpes region where we were living with my parents.[...]

Born in Marseille, I am a self-taught artist. Part of my apprenticeship nevertheless took place through meetings and exchanges with a few artists from the Rhône-Alpes region where we were living with my parents. During this period I did all kinds of experiments and learned several techniques, from oil painting to pastel and even modeling. Many attempts before finally returning a few years later to the techniques of my childhood: gouache, watercolor and mainly pencil.

My work is autobiographical, it is inspired by my daily life, my experiences, my questions; It is the reflection of these captured moments that remain frozen in my memory. Through my encounters, I sometimes become the vehicle for expressing the emotions of others that I try to transcribe as well as possible in my paintings. My works then become the fruit of sharing.

When the image is in memory, everything then consists of best transcribing the atmosphere that emanates from the moment: removing certain contours, interpreting the light to keep only the essentials. Because in the end all the challenge is there, to get as close as possible to the original emotion. A research that is based on elements that may seem contradictory: where my technique consists of a realistic rendering, or at least to transcribe a certain reality, it must express the impalpable.

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