Faux Sentiment de Sécurité (2021) Painting by Thomas Bathrick

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Seller Thomas Bathrick

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Seller Thomas Bathrick

Original Abstract acrylic painting on 16" x 40" x .75" canvas over 2 separate canvases. Earthy browns with gold and graffiti motif yet demonstrates shading coupled with pallette knife impasto. Certificate of Authenticity included. Protected with 2 coats of varnish to maintain vibrancy and longevity. Signed on back to allow buyer to display[...]
Original Abstract acrylic painting on 16" x 40" x .75" canvas over 2 separate canvases. Earthy browns with gold and graffiti motif yet demonstrates shading coupled with pallette knife impasto. Certificate of Authenticity included. Protected with 2 coats of varnish to maintain vibrancy and longevity. Signed on back to allow buyer to display as preferred.

Related themes

AbstractGraffitiShadowsGoldBrowns

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Tom Bathrick is an Albany, New York artist who has been a lover of art since childhood. He's engaged in many forms of art including, graphite, charcoal, pastels, oils and acrylics. Tom earned a Masters[...]

Tom Bathrick is an Albany, New York artist who has been a lover of art since childhood. He's engaged in many forms of art including, graphite, charcoal, pastels, oils and acrylics.

Tom earned a Masters in Nursing at Gonzaga University and followed that up with a Doctorate in Public Health which served him during his secular healthcare career & moved him to return briefly to assist during the Covid pandemic. Now semi-retired, he spends his days once again creating abstract art works and custom portraits. Tom has shown his work in a number of galleries including the Community Art Showcase and Artepreneur. His works have sold internationally.

"As a young person I noticed i felt a variety of senses of emotion that came from the color and geometric shapes in nature. In art museums I found myself looking into the color and texture of the layers in paintings and imagined I was seeing a new emotion in the artist's subject - a change in perspective as time moved through the development of the painting. I loved this expression and I too find myself creating changing moss over the time of the piece. It's a wonderfully complex and simple evolution!"

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