Maud Stevens Wagner 1877-1961. Tatuadora y artista de circo. (2023) Textile Art by Trinidad Albonico Ruiz-Tagle

Textile Art on Canvas, 11.8x9.8 in
$275.59
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This artwork is framed
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  • Original Artwork (One Of A Kind) Textile Art, Manipulated Photography / Analog photography on Canvas
  • Dimensions 11.8x9.8 in
    Dimensions of the work alone, without framing: Height 11.8in, Width 9.8in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is framed (Frame + Under Glass)
  • Categories Textile Arts under $500
Maud Stevens Wagner 1877-1961. Tattoo artist and circus artist. embroidery on canvas printed photography About this artwork: Classification, Techniques & Styles Manipulated Photography [...]
Maud Stevens Wagner 1877-1961. Tattoo artist and circus artist.

embroidery on canvas printed photography

Related themes

CircusMujeresTattoo

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Trinidad Albonico Ruiz-Tagle (Santiago de Chile, 1984) Photographer by profession, embroiderer by choice. Photography as an art has been a loyal life partner for Trinity. For her, it is[...]

Trinidad Albonico Ruiz-Tagle (Santiago de Chile, 1984)

Photographer by profession, embroiderer by choice.

Photography as an art has been a loyal life partner for Trinity. For her, it is about the possibility of capturing the beauty of life, of women, and the different phases of it, emphasizing freedom, profession, and motherhood. With photography, she has been able to find light in everything because she understands it as a piece of time that is necessary to analyze and continue.

Photography has always been in her different shows and stage interventions, and in her latest circus and theatrical works, she stirs it up and threads it to develop a new work that uses embroidery as a technique, which came to her between pregnancy and motherhood.

The embroidery, Trinidad says, "is the thread from my broken skirt, which got caught on a metal filament while I was running."

By mixing these techniques, both the versatility of theatrical and circus performance as well as the embroidery and photography that she uses as elements of transfiguration, meditation, and creation, she presents us with a variety of art that shows working, rebellious, and original women throughout time. Her place is among those inexhaustible travelers who observe with an unusual judgment the place of art and creation in an increasingly global and troubled world.

Brian Smith Hudson
Doctor (c.) en Historia del Arte - UNAM, Ciudad de México

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