Textile Art titled "Yin Yang" by Martine Brion, Original Artwork

Yin Yang (2010) Textile Art by Martine Brion

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Sold by Martine Brion

Original Artwork Textile Art,

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 39.4in, Width 39.4in
Categories Textile Arts under $5,000

Travail sur le blanc et le noir, l’homme et la femme, le vide et le plein, le positif et le négatif, l’endroit et l’envers.
Cette dualité que l’on retrouve dans tous les aspects de l’Univers, exprime plus une complémentarité qu’une opposition réelle. Le yin et le yang expriment cette complémentarité : l’un n’existant pas sans l’autre, il y a toujours du yin au sein du yang et vice-versa. Le noir (absence de toute couleur) n’est concevable que par rapport au blanc (présence de toutes les couleurs), la nuit par rapport au jour, la gauche par rapport à la droite, la femme par rapport à l’homme. Les contraires sont en fait complémentaires …

Ensemble de petits morceaux de tissu à bord brut, dans la gamme des noirs et blancs, collés sur un tissu de fond, puis retravaillés au piqué libre à la machine.
Le dos de l'oeuvre est imprimé par thermofax.
Des "portes" laissent passer les personnages d'un côté à l'autre de l'oeuvre ...

Related themes

Corps Adam Eve Paradis Noir

Martine Brion

Belgium

From the cozy and austere atmosphere of a large library to
artistic creation, there were some steps ... I decided one day to
jump over.
If a creative vein was present for a long time, traditional embroidery, training in printing techniques and training in painting affirmed my creative penchant. Finally, personal research, from discovery to discovery, have sharpened this desire to create. Everything is material to create: paper, fabric, wood, earth, metal, etc. Personally, I have a predilection for the textile, but other materials involved in the adventure: the paper can be sewn or embroidered, iron or plants can dye the fiber, textiles can integrate with happiness contemporary painting. What I like above all is to experiment with new techniques, sometimes delirious, even marry them with traditional techniques, creating a visual shock, with the risk of shocking purists: burn, rip, destroy the material, then paint it or embroider it ... My creative desires vary according to my mood, my source of inspiration, an image that holds my attention, an object or other unexpected element ...

Since 2009, I am a member of "Artistes de Thudinie"
Since 2012, I am responsible of the "Centre de la Broderie du Hainaut"

The cozy and austere atmosphere of a large library at
artistic creation, there were some not ... I decided one day to
jump over.
If a creative vein was present for a long time, traditional embroidery training in printing techniques and painting affirmed my creative bent. Finally, personal research, from discovery to discovery, have sharpened this desire to create. Everything is material to create: paper, fabric, wood, earth, metal, etc. Personally, I have a predilection for the textile, but other materials involved in the adventure: the paper can be sewn or embroidered, iron or plants can dye the fiber, textiles can integrate with happiness contemporary painting. What I like above all is to experiment with new techniques, sometimes delirious, even marry them with traditional techniques, creating a visual shock to shock purists: burn, rip, destroy the material then paint or embroider ... my creative desires vary according to my mood, my source of inspiration, an image that holds my attention, object or other unexpected element ...

Since 2009, I am a member of Thudinie artists.
Since 2012, I am responsible for the Centre of Embroidery Hainaut