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Ах! Какая киска! Была... (1998) Painting by Sergey Suvorov

Other on Paper, 16.5x11.8 in
$12,050.88
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Sold by Sergey Suvorov
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Идея заложена уже в самом названии и также двоичная, как сюжет. Недетское восхищение красивой женщиной, гуляющей по осеннему парку в роскошном манто, в далёком 1957 году, мне было всего два года. Плюс последующее понимание ценности красоты, молодости, свободы…, ценности жизни. Но прежде всего, это чувства, разные и двойственные.[...]
Идея заложена уже в самом названии и также двоичная, как сюжет. Недетское восхищение красивой женщиной, гуляющей по осеннему парку в роскошном манто, в далёком 1957 году, мне было всего два года. Плюс последующее понимание ценности красоты, молодости, свободы…, ценности жизни. Но прежде всего, это чувства, разные и двойственные.
Стиля тоже два, это Образный Ассоциативно-Логический Сюрреализм, «сделанный» по Теории Правильной Формы. Композиция случайна, ну или почти случайна, так как основой работы была специально созданная абстракция на осеннюю тему. Нестабильные пластические формы похожи на беспокойный ветерок, гоняющий по осеннему парку лёгкие жёлтые листья… . Формы подчёркнуты контрастом цвета и тона, что создаёт некоторое беспокойство, а разный в оттенках чёрный добавляет драматизма взгляду «киски», двойственному по своим чувствам… . Драматизм взгляда всё же пересиливает безмятежность походки женщины и ложится тяжёлой ношей на её плечи. Подтекст становится главным.
Графикой эту работу назвать нельзя, но и живописью, в обычном её понимании, тоже. Кисть применялась только для изображения шляпки и ног. Инструментами служили такие предметы: литровая стеклянная банка, газетная и обёрточная бумага, кусочки поролона, лезвия для бритья, ластик, ну и руки, конечно, чем не инструменты, на мой взгляд, не хуже кисти. Так что, всё же это ЖИВОПИСЬ, НО ДРУГАЯ.
Замечено, что именно эта работа больше всего нравится ЖЕНЩИНАМ. Почему, о чём шепчет им подсознание, о каких своих тайнах и загадках ???

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ЧувстваЧувство ЛюбвиВоспоминания

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Surrealism Other Чувства чувство любви воспоминания
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Sergey Suvorov Portrait
Sergey Suvorov
Russia
The painter, the theatrical artist, the set dresser, the property man, the artist-fashion designer-designer on clothes, headdresses and leather dry goods, the designer on creation of a computer machine embroidery,[...]

The painter, the theatrical artist, the set dresser, the property man, the artist-fashion designer-designer on clothes, headdresses and leather dry goods, the designer on creation of a computer machine embroidery, the photographer beginning the computer designer … Personal exhibitions in Omsk, Novosibirsk, Tomsk, the winner of the international exhibition-competition «Vladimir Semyonovicha Vysotsky's Best portrait-image» in ГКЦМ, V.S.Vysotsky's house-museum in Moscow (June 2012г.). The winner of the international Russian-Italian competition of grotesque painting «Baraonda 2013» in St.-Petersburg (February 2013г.), 1 award and the Gold medal is awarded. The participant and the winner of the international competition-exhibition in New York in gallery Mathettena WestparkArtGallery, gold medal Golden Eagle in category Surrealism (April 2013г is awarded.) . The participant of the Moscow international festival «Traditions and the Present», the exhibition passed in the Central House of the Artist in Moscow (the Crimean Shaft, 10) in June 2013г. The publication in the book «the Russian Art 2013».The participant and the winner of VI international a modern art exhibition-competition «St.-Petersburg Week of Arts». 1 place in painting competition, in a nomination «Portraits in vanguard style» is awarded. Competition passed (July 2014г.) in the exhibition centre of the St.-Petersburg Union of Artists (Big Sea, 38). The basic object of creativity are not the events occurring in a life and even not reality, and impressions, experiences, emotions, reflexions, desires, dreams, sounds …, private world. These are pictures for long examining. Implied sense, dual images, demand quiet, philosophical perception. You will not consider, you will miss any detail and sense of the whole it will not be read or it will be deformed

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