Tsuru No Ongaeshi, The Crane Princess (2012) 数字艺术 由 Sonia Leong

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卖家 Sonia Leong

  • 该作品是“开放版” 数字艺术, GicléePrint / 数字打印
  • 外形尺寸 几种尺寸可供选择
  • 独家支持 (美术纸, 金属上的印刷, 画布上打印)
  • 是否含画框 有框架 (浮动框架+玻璃下, 框架+在丙烯酸玻璃下)
  • 艺术品状况 艺术品完好无损
  • 分类 插图 亚洲
Originally drawn in 2012 for the cover of my book '101 Top Tips From Professional Manga Artists' this is an illustration based off the Japanese legend of the Crane Princess, or Tsuru No Ongaeshi - a crane was injured by a hunter and is rescued by a poor farmer, helping her escape. She returns in the form of a beautiful woman, marries him[...]
Originally drawn in 2012 for the cover of my book '101 Top Tips From Professional Manga Artists' this is an illustration based off the Japanese legend of the Crane Princess, or Tsuru No Ongaeshi - a crane was injured by a hunter and is rescued by a poor farmer, helping her escape. She returns in the form of a beautiful woman, marries him and starts weaving beautiful bolts of cloth to earn him more money, making him promise never to disturb her as she weaves. But he cannot help being curious and he peeks, seeing that she is actually a crane - she is startled and flies away, never to return.
This is a digital piece, sketched, inked and coloured on my tablet computer.

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I've worked in the UK as a professional illustrator specialising in Anime / Manga style since 2004 and have an extensive bibliography of comic books, graphic novels and guidebooks, as well as various credits[...]

I've worked in the UK as a professional illustrator specialising in Anime / Manga style since 2004 and have an extensive bibliography of comic books, graphic novels and guidebooks, as well as various credits for film / TV design and presentation, and even some competition wins (all you have to do is Google me or go to my official website to see my full bio). But I am entirely self taught! My method is mainly identifying contours, volume and ratios, then fine-tuning details with draft lines before inking outlines and adding colour, either entirely traditionally with markers, watercolours or coloured pencils, or digitally. Although I have to be flexible in my line of work (as I am often asked to do different projects in different styles) I am consistent in how I like to create characters and tell stories. Art-wise, I am known for my line work and when I'm not working in black-and-white, my bright, shiny, high contrast use of colour and shading. I love drawing beautiful characters with sparkly eyes, flowing hair and lovely costumes, and I don't apologise for it!

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