L'eglie de St. Rock /ex kontumac-Zemun/ (2004) Painting by Slobodan Spasojevic (Spaki)

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Sold by Slobodan Spasojevic (Spaki)

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Sold by Slobodan Spasojevic (Spaki)

  • Original Artwork (One Of A Kind) Painting, Pastel
  • Dimensions Height 7.1in, Width 4.7in
  • Artwork's condition The artwork is in very good condition
  • Framing This artwork is not framed
  • Categories Classicism Architecture
En epoque, quand ville Zemun ete dans Austrougarska/ Autriche Hungarie/ sur frontier avec Serbia/avant 1918 anne/ sur teritoire de Zemun ete "Kontumac" /espace de douane, quarantaire, hospital et les eglizes ortodox, et catolique. Tous anciene objects sont maintenant dans le parc de ville Zemun.
En epoque, quand ville Zemun ete dans Austrougarska/
Autriche Hungarie/ sur frontier avec Serbia/avant 1918 anne/ sur teritoire de Zemun ete "Kontumac" /espace de douane, quarantaire, hospital et les eglizes ortodox, et catolique. Tous anciene objects sont maintenant dans le parc de ville Zemun.

Related themes

QuarantaireEspaceEgliseMonumetsCatolique

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My name is Slobodan D. Spasojevic-Spaki. I was born on 04/21/1945 in Zrenjanin, Serbia, Yugoslavia. I finished eight years of school, primary high school and the faculty of architecture in Belgrade. I[...]


My name is Slobodan D. Spasojevic-Spaki. I was born on 04/21/1945 in Zrenjanin, Serbia, Yugoslavia. I finished eight years of school, primary high school and the faculty of architecture in Belgrade. I paint since my youth, since the end of the fifties of the XX century of today; over sixty years.

I had a dozen individual exhibitions as well as group exhibitions. On them I exhibited drawings, oils on canvas as well as sculptural-mosaic works. I was rewarded and at the Yugoslav General Competition 1995 "Oils of the Old Masters" I won first place.

I was influenced by the great masters of Serbian and Yugoslav painting: Paja Jovanović, Uroš Predić and Sava Shumanović; from European painting Serbian fresco painting, European Renaissance painting, to Impressionism, Fauvism, Cubism, contemporary abstract and noumeric art, and in particular: J. Vermer, V. Gogh, G. Braque A. Matis...

By accepting and rejecting certain influences, I formed my own recognizable painting script.

My guiding thought was: ... "Important is to know how to paint, and the most important is to know how to stop".

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