SCF Sighting #24 (2023) 数字艺术 由 Kenneth Grzesik

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  • 原创艺术品 数字艺术, 操纵摄影 / 数码摄影 / 数字打印 / 2D数字工作 / 数字拼贴 / 数字油画 / 照片蒙太奇
  • 外形尺寸 尺寸可根据要求提供
  • 分类 观念艺术 幽默
These dispatches from episodes 22-24 of The Real SCF Story reveal new details involving developments in undercurrents in the narrative flow of an evolving story...he was in pretty bad shape...was an environmental wake up call...The artist wanted to draw attention...Harry, Vincent and the professor observed Super Colossal Flowers...a new form of organic[...]
These dispatches from episodes 22-24 of The Real SCF Story reveal new details involving developments in undercurrents in the narrative flow of an evolving story...he was in pretty bad shape...was an environmental wake up call...The artist wanted to draw attention...Harry, Vincent and the professor observed Super Colossal Flowers...a new form of organic energy...extraordinary plants had progressed...there were multi-dimensional forces at work...In a Pox News interview...The celebrity billionaire revealed...while soaking in a hot-tub...stuffing boxes in an Amazoom warehouse...vowed to use military force...Donations came rolling in...

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Degrees: B.F.A., Northern Illinois University, DeKalb, 1974 M.A., Northern Illinois University, DeKalb, 1977 C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's[...]

Degrees:
B.F.A., Northern Illinois University, DeKalb, 1974
M.A., Northern Illinois University, DeKalb, 1977
C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's List for Academic Achievement

I think it's possible that beauty can save the world. Art can be life as life can be art. Both can be beautiful if given a chance.My imagery is built around a concept. After a central idea is established I explore possibilities within a set of creative and aesthetic parameters. From my perspective visual art is idea, expression, experience and process fused to create a perceptual synergy.
Nature has always played an important role in my art. In the late seventies and early eighties it was the focal point of several commissioned installations in Seattle and Chicago. During the next two decades or so landscape painting and drawing were my primary areas of interest. The work was exhibited in minor venues in Washington and Hawaii.
It was in 2005 when I bought my first computer and digital camera. The initial attraction was the speed that imagery could be produced. It was exciting to work at the speed of idea where the time span between concept and image was short. What followed has been a nonstop process of photography and editing. Presented here is an assortment of images that are a visual record of that activity.

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