Anneau noir, 2/6, série "JO Paris 2024", mars 2024 (2024) Painting by Raphaël Prenovec

Oil on Linen Canvas, 7.9x7.9 in
$556.72
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
Mounted on Wood Stretcher frame
This artwork appears in 20 collections
  • Original Artwork (One Of A Kind) Painting, Oil on Linen Canvas
  • Dimensions Height 7.9in, Width 7.9in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Paintings under $1,000 Abstract Sport
Cette oeuvre de petit format fait partie d'une série de six tableaux sur le thème des JO. Elle représente l'un des cinq maillons du drapeau olympique. D'une manière très simple, elle questionne sur ce qui lie et délie les hommes et les femmes dans l'art comme dans le sport. La possibilité artistique est la métaphore de la performance[...]
Cette oeuvre de petit format fait partie d'une série de six tableaux sur le thème des JO. Elle représente l'un des cinq maillons du drapeau olympique. D'une manière très simple, elle questionne sur ce qui lie et délie les hommes et les femmes dans l'art comme dans le sport. La possibilité artistique est la métaphore de la performance sportive. Le travail de l'artiste s'apparente à celui du sportif de haut niveau en ce qu'il cherche le dépassement de soi.

L'association des termes "sports" et "arts" exprime pour moi l'idée d'une proximité entre le travail du sportif et celui de l'artiste. L'un comme l'autre doivent travailler avec acharnement et sans compromis pour parvenir à de grandes et belles réalisations. Mais les réussites des sportifs comme celles des artistes ne sont possibles que grâce à des luttes pour des possibles qu'ils sont les seuls à entrevoir. La performance en tant que telle est précédée par la vision de ce qui est possible. Autrement-dit la possibilité du possible précède l'effort et la décision de l'atteindre coûte que coûte. Il y a chez les sportifs de haut niveau cette tendance à la perfection, au dépassement de soi et à la nécessité interne de réalisation de leurs possibles. Exactement comme chez les artistes. Il y a dans la pratique du sport cette part d'irrationnel que l'on retrouve dans la pratique de l'art. Ce sont les sportifs de haut niveau et les grands artistes qui nous permettent d'en prendre conscience. C'est en ce sens que selon moi le sport constitue une métaphore de l'art.

The association of the terms "sports" and "arts" expresses for me the idea of a proximity between the work of the athlete and that of the artist. Both must work relentlessly and without compromise to attain great and beautiful achievements. But the successes of athletes, like those of artists, are only possible thanks to struggles for possibilities that only they can see. Performance as such is preceded by the vision of what is possible. In other words, the possibility of the possible precedes the effort and the decision to achieve it at all costs. Among top athletes, there is this tendency towards perfection, surpassing oneself and the internal need to achieve what is possible. Just like artists. There is in the practice of sport this element of irrationality that we find in the practice of art. It is high-level athletes and great artists who make us aware of this. It is in this sense that, in my opinion, sport constitutes a metaphor for art.

Related themes

JoJeux OlympiquesSportArt

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The search for happiness is at the heart of my artistic work. My pictorial space and my poetic imagination are nourished by representations, shapes and colors that are endlessly renewed. But always in the same[...]

The search for happiness is at the heart of my artistic work. My pictorial space and my poetic imagination are nourished by representations, shapes and colors that are endlessly renewed. But always in the same direction and in an ever-renewed tension.

If painting is a source of pleasure, the pleasure it provides is never enough in itself. It is tending towards something that goes beyond the artist and takes its source in an inexhaustible pictorial space. To paint is to experience identity in change, permanence in movement, eternity in time. If the pictorial act is fleeting, it nevertheless inscribes its character in a permanent tension identical to itself. If the work is always linked to a defined and detailed pictorial situation, the creative act remains faithful to itself. It is immutable. Question of artistic power!

As strange as it may seem, I define my work as an exploration of color that I seek to understand. Before re-appropriating them in my pictorial space, the colors belong to the outside world, they exist outside of me. Yet a simple glance is enough for them to penetrate my imagination and invade my thoughts. It was quite natural that I began a dialogue with them since childhood. The realization came when I decided to get involved in painting. For the artist, the material is infinitely rich and varied. And unlike the space of the canvas which is circumscribed, my pictorial space has no limit. It’s dizzying! The colors are always organized in a tension and a logic which respond to the same internal necessity, immutable and obsessive. I made colors into a language and a personal thought. My creative approach consists of transmitting this triple exploratory, dialogical and reflective experience.

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