Marée (triptyque) (2021) Collages by Pauline Della Pera

Collages on Canvas, 23.6x7.9 in
$4,149.82
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Shipping from: France (Box or cardboard packaging) Ships within 3 days
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
This artwork is framed
Mounted on Wood Stretcher frame
This artwork appears in 1 collections
  • Original Artwork (One Of A Kind) Collages, Ink / Paper maché / Collages / Embroidery on Canvas
  • Dimensions 33.1x11 in
    Dimensions of the work alone, without framing: Height 23.6in, Width 7.9in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is framed
  • Categories Collages under $5,000 Abstract
Marée I Papier mâché saturé d’encre de Chine sur toile Marée II : Papier mâché et corde de sisal saturés d’encre de Chine sur toile Marée III : Papier mâché et corde de sisal saturés d’encre de Chine sur toile Chaque toile mesure 20x20cm et est entourée d'un cadre marqueté de 28x28cm Cadres marquetés en paille[...]
Marée I Papier mâché saturé d’encre de Chine sur toile
Marée II : Papier mâché et corde de sisal saturés d’encre de Chine sur toile
Marée III : Papier mâché et corde de sisal saturés d’encre de Chine sur toile

Chaque toile mesure 20x20cm et est entourée d'un cadre marqueté de 28x28cm

Cadres marquetés en paille par l’Atelier Phaos

Related themes

NoirMonochromeMatière NoireMaréeMarée Noire

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Inspirée par la littérature, l’Histoire de l’art et les contre-cultures, j’aime rebondir entre noirceur, humour et poésie. Comme les contes de fées, mes créations sont porteuses de multiples interprétations,[...]

Inspirée par la littérature, l’Histoire de l’art et les contre-cultures, j’aime rebondir entre noirceur, humour et poésie. Comme les contes de fées, mes créations sont porteuses de multiples interprétations, sombres et lumineuses à la fois. Comme nous, elles sont biscornues, troubles, un peu cabossées, mais aussi chargées d’une beauté que j’espère consolatoire.

Formée comme médiatrice culturelle, c’est en travaillant dans une ruche d’art de Montréal que je développe ma propre pratique artistique, expérimente le dessin automatique et crée mes premières œuvres monochromatiques. De retour en France, je reprends l’apprentissage de la poterie amorcé pendant mon enfance et crée des sculptures et des objets en céramique qui racontent des histoires, détiennent des secrets. L’œuvre, l’objet deviennent un prétexte pour expérimenter avec la matière et initier un dialogue avec le monde qui m’entoure et ceux/celles que j’y rencontre.

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