Amatus et Amissus (Loved and Lost) (2012) Painting by Paul Hilario

Sold

See more from Paul Hilario

The artist offers works on commission

Did you miss the opportunity to buy this work? Good news: the artist can also create a custom work, just for you!

Seller Paul Hilario

Digital licensing

This image is available for download with a licence

$32.45
$129.77
$270.36
Max resolution: 1702 x 2570 px
Download immediately upon purchase
Artists get paid their royalties for each sales

Seller Paul Hilario

  • Original Artwork Painting, Oil
  • Dimensions Height 24in, Width 1.5in
  • Categories Abstract
Each bird in the painting refers to a specific person. The bird straining its neck and with head out of the cage is the man holding a banana blossom and eyeing another one. The other bird in the cage is the woman who he has a relationship with. The lone bird outside the cage is the other woman out of the formal relationship that[...]
Each bird in the painting refers to a specific person. The bird straining its neck and with head out of the cage is the man holding a banana blossom and eyeing another one. The other bird in the cage is the woman who he has a relationship with.


The lone bird outside the cage is the other woman out of the formal relationship that is symbolized by the cage.

One woman is on a boat holding a mirror. The boat signifies travelling. She is leaving. The mirror represents introspection. She is looking at herself and perhaps thinking that she has a lot to offer to others more deserving of her love. In front of her, at the floor of the boat, is a plate with the utensils signifying “I am done”.

Another woman, under the table that is also a roof, is also packing her belongings.
The man was loved by two but all that is now lost.
The question is whose ‘heart’ is he holding and why does he still seem undecided?
Second question is “Which bird refers to which lady?”

Related themes

PhilippinesPaulFilipinoPhilippinesBirds

Follow
I paint visual narratives. I try to create stories with themes that range from the blissful to the brooding. Typically, my compositions are laden with common and personal symbolism.  My works seem to have disconnected[...]

I paint visual narratives. I try to create stories with themes that range from the blissful to the brooding. Typically, my compositions are laden with common and personal symbolism.  My works seem to have disconnected elements but they are linked in the way that I see them. To the audience, however, they are like puzzles; open to varied personal interpretations.

I wouldn’t say I like to confine myself in a box.  Some days I paint social commentaries. On other days I just paint my observations of issues that pertain to almost anything under the sun - this can be political, social, environmental, religious, cultural, and even agricultural.   I try to paint realities in, out, and of life.

Early in my career as a painter, I was mostly doing rice field landscapes and rice farmers in an impressionist manner influenced principally by Vincent Van Gogh. I didn’t paint rice fields because it was popular but rather because of my heritage and professional background. My grandfathers were fittingly a rice farmer and an artist. I worked for a rice-centered international organization for 14 years before moving on full-time to my creative passion.

 In 2021, one of my artworks, Toil Today Dream Tonight, a rice-scape artwork, went viral when it was mistakenly attributed to Vincent Van Gogh in various countries. Many enterprises unknowingly created merchandise from the image of my work.

 Largely self-taught, I was mentored early in my professional art career by one of the Philippines' most respected artists – Marcel Antonio.

For painting methods, I prefer to use a modified Byzantine-era painting technique that helps me create layers of colors developed through multiple glazing. Shadow colors are richer, hard and soft edges have increased contrast, and I am able to create a sense of melodic feel to the painting.

 It’s an often repeated story, almost a cliché, but discovering where my heart and mind truly belong was a process of almost four decades.  I never really planned to be a painter, but that was my destiny after all.  It was a calling I couldn't resist.  

 Aside from the Philippines, my works have found their way to Australia, Canada, Denmark, Dubai, Germany, Italy, Japan, Malaysia, Mexico, Netherlands, New Zealand, Saudi Arabia, Singapore, Switzerland, the UK, and the USA.

See more from Paul Hilario

View all artworks
Oil on Canvas | 24x2 in
$1,897.1
Oil | 36x2 in
$3,772.81
Oil on Canvas | 35.8x1.5 in
$1,849.25
Acrylic on Canvas | 48x36 in
$2,899.89

Artmajeur

Receive our newsletter for art lovers and collectors