The stray dog (2017) 绘画 由 Paul Scott

丙烯在帆布上, 11.8x7.9 in
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  • 原创艺术品 (One Of A Kind) 绘画, 丙烯 在帆布上
  • 外形尺寸 高度 11.8in, 宽度 7.9in
  • 艺术品状况 工作状况非常好
  • 是否含画框 此作品未装裱
  • 分类 画作 低于US$500 古典主义
The stray dog appeared one day out of nowhere, and disappeared just as suddenly. The man sitting at the table is a flaneur. There are various other names to describe this type of person, but flaneur is probably the most complimentary. The man on the left is me, the artist, fattened up a bit and carrying an apple. The three women are Venus McKenzie,[...]
The stray dog appeared one day out of nowhere, and disappeared just as suddenly. The man sitting at the table is a flaneur. There are various other names to describe this type of person, but flaneur is probably the most complimentary. The man on the left is me, the artist, fattened up a bit and carrying an apple. The three women are Venus McKenzie, Aphrodite Johnson and Athena Blofeld. I don't know whether they had something to hide, but they refused to pose for me in the nude, so I had to paint them in their bikinis. I could, of course, have painted myself in the buff, but discretion got the better of me.

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I studied at Northampton Grammar School, then at Sheffield University and later at Bolton Institute of Technology. I would tell you about the paternoster in the Sheffield University Arts Tower, but it would[...]

I studied at Northampton Grammar School, then at Sheffield University and later at Bolton Institute of Technology. I would tell you about the paternoster in the Sheffield University Arts Tower, but it would probably be too much of a digression. I then worked at Stokes' Paint Factory (where I mixed paint) and subsequently in what was called at the time a lunatic asylum (where I looked after the lunatics), a venerable institution situated in Northampton founded in 1838 with its own nine-hole golf course and church designed by the celebrated architect Gilbert Scott, where I assisted, among other things, with their programme of electro-shock therapy. I was subsequently employed in all sorts of businesses and institutions too numerous to mention here. This dabbling in just about everything had the effect of giving me a reasonable grounding in what it means to be a human being, and, to a lesser extent, a grounding in the aesthetics of everyday life. Whatever that is. 

During this period, I represented four living artists for some time in the Northampton area. That was hard, but my long association with these four artists taught me much about art and art appreciation.

 I subsequently bought and sold eighteenth, nineteenth, and twentieth-century art. That was easier, but still not easy to make enough money to live on. 

During this whole time, I continued to draw, paint, and photograph what was around me.

I hope my feelings come through in what I do, and that my art expresses something of the wonder and strangeness of life.

I have lived in Estaing, Aveyron since 2008, and married a French woman (my second marriage) in 2017. We have two cats.

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