Painting titled "Mi Oz" by Olivia Caballero González, Original Artwork, Oil

Mi Oz (2021) Painting by Olivia Caballero González

Not For Sale

Seller Olivia Caballero González

Buy a print

This print is available in several sizes.

Art Prints

$26.86

Canvas prints

$46.20

Metal Print

$99.92

Museum Quality

Customer's reviews Excellent

Artists get paid their royalties for each sales

Seller Olivia Caballero González

Original Artwork (One Of A Kind) Painting, Oil on Canvas

Artworks classification

One of a kind (OOAK / Original Artwork)

One-of-a-kind works of art are also known as “OOAK” artworks. This means that every work of art is unique and there will never be another identical one.
Dimensions Height 23.6in, Width 29.5in
Framing This artwork is not framed
Categories Paintings under $5,000 Pop Art

"My Oz" Sensual Wall Painting - Original Erotic Art 60x75cm/23x29inch - Red Shoe Fetish - Drawing of nude woman from behind This painting can be sold framed or unframed. To get the frame, contact me directly because it is of quite good quality so... it is very heavy!!! All my works are not only works of erotic art, but each one of them hides a story and takes away the energies that accompanied me during the process. So remember: it is not only an original painting for your wall. It is a special work! A few months ago I began to paint another version of the story of "The Wonderful Wizard of Oz" adapted to the present, when everything seemed to be destroyed around us. I connect and disconnect from that painting at the same speed that my emotions change. From what I have read, the story is a direct allegory of the political and economic struggle between supporters of the gold standard and supporters of bimetallism in the United States in the late 19th century. The yellow brick road is the false promise of gold, but... I prefer this other analysis of the symbolism of the work that is just as valid and much more spiritual with which I feel more identified: "The Wonderful Wizard of Oz" symbolizes the ideal that each of the parts of our psyche, mind (Scarecrow), emotions (Tin Woodman) and physical (Lion), is wise enough to govern its own plane and be of service. Dorothy, as a soul, has commanded the expedition uniting them all. In his experience he has managed to dominate the three bodies and use them in a correct way. In the children's story, the allegory is beautiful in a part of the story, which makes us understand that the world as we know it is nothing more than an illusion perpetrated by magicians who, through tricks of three to a quarter and the imposition of colored glasses, make us swallow with a partial and interested version. Magicians who are powerful but can't do much more than do ventriloquist tricks, lighting and illusionism. It's not real magic, it's something closer to conditioning. Do you not feel identified? I think I'm not the only one who has felt like Dorothy for months: wanting to go home, to the old normality or what is the same: to regain control. In all this time I have always had the feeling of being cheated and terribly conditioned. I never thought to be close to back to normal. On the contrary, I have been much more tempted to give in to the situation and simply isolate myself under a blanket until this passes. Luckily I have a family that depends and pulls on me in equal parts so I can put on some ruby shoes and bump them against each other as many times as necessary until I get everyone back to where we were. But although the coronavirus has marked a before and after in our lives, it is not the only thing that can cause our “normality” to falter.

Automatically translated

Olivia Caballero González

Spain

My artistic curriculum is very short compared to that of other artists, and this is because it is linked to my personal biography and not to my professional one. I am a self-taught artist, born in Madrid[...]

My artistic curriculum is very short compared to that of other artists, and this is because it is linked to my personal biography and not to my professional one.

I am a self-taught artist, born in Madrid in April 1980. There is no memory since my childhood in which I have not drawn, painted or developed some type of creation related to manual art: from plasticine to DIY, including, of course, drawing and painting.< br />Since I can remember, I have been in a continuous process of artistic development and this translates into a wide variety of styles and techniques, which in many cases have evolved or disappeared.

Diversity, disorder and chaos: My works could have been done by several people with different profiles, and coexistence between them is sometimes difficult even for my eyesight, but I can't help but be inspired by different images or situations that go unnoticed or are not followed by many people. a logical order. I am a passionate woman who works by crush.

I consider myself a positive person with the environment, very self-critical with myself. I value staying in the background (and even going unnoticed) but I have the ability to always see and perceive the best in each person. My "Muses" appear and disappear around every corner.

People who really know me describe me as a real person, that is, that I am who I am at all times, without any kind of pretense or mask. Sometimes too bright and other times too quiet. I have a lot of inner life; maybe too much!

I painted my first oil at the age of seven, although by that time I had already mastered charcoal thanks to private classes that my parents were able to afford me with great effort. At eight, I began my journey in the world of children's exhibitions and competitions at the hands of great people to whom I will always be grateful.

During adolescence I devoted myself to drawing with a pen, in this case, with a surreal theme flirting with gore. Sometimes I would design tattoos for my friends. Every time someone I know from that time tells me that they remember my drawings a lot, I can't help but get emotional.

Although I have never completely given up, I took up oil painting again around 2005, taking it beyond domestic limits in 2014, that is, when I stopped painting to decorate my home and opened up again to the world of exhibitions and competitions.

Currently, art is part of my daily routine, given which is what I dedicate most of my nights to.

My works lack high artistic pretensions. I like to transmit sensations, that the observer makes his imagination work. Each work has a reason, and moments of my life and all the thoughts that accompanied me during its creation are carried in each brushstroke. They are like my little diaries.