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Angkor Wat: Whisper of the Holy Stone (2023) 绘画 由 Olga Serebryanskaya
丙烯在帆布上, 15.8x11.8 in
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原创艺术品 (One Of A Kind)
绘画,
丙烯
在帆布上
- 外形尺寸 高度 15.8in, 宽度 11.8in
- 艺术品状况 艺术品完好无损
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- 分类 画作 低于US$1,000 超现实主义 亚洲
Probably every romantic nature has a condition that is difficult to understand: we feel a craving or a pang in our chest in relation to places we have never even been to. These places are fascinating, historical, they seem to breathe the ashes of the past. But where do we get these thoughts? Have we really been there in other lives?
One of these[...]
Probably every romantic nature has a condition that is difficult to understand: we feel a craving or a pang in our chest in relation to places we have never even been to. These places are fascinating, historical, they seem to breathe the ashes of the past. But where do we get these thoughts? Have we really been there in other lives?
One of these places for me is Istanbul, and I visited it.
My mother grieved for India as a child. At that time there was a boom in Indian films in the USSR; her peers did not experience such feelings, but she, little, cried from the thought: “I will never visit India again.” Although my mother was born near Tula, she lives in the Rostov region and has never been to a popular eastern country.
Cambodia, the Angkor Wat temple, is an equally magical, alluring place for me. When I look at the remains of the temple, especially at the photos of my friends’ travels, I have the urge to go there immediately, just as I had the urge to run out into the street as a child, when I saw in the window of a private house how courtyard friends were frolicking and playing in the street. I’ll wander along the paths of the temple complex, touching stones that are thousands of years old. Touching the stones of ancient buildings and ruins is my special love.
I love places of power, abodes of ancient religions, especially Eastern ones. I’ve never been to Asia abroad, but I’ll certainly end up there, and the first place will be either Angkor Wat in Cambodia or the Taj Mahal in India to please my mother.
In the meantime, the dream turns into a goal, I suggest you enjoy the picture and hear it - The Whisper of the Holy Stone.
One of these places for me is Istanbul, and I visited it.
My mother grieved for India as a child. At that time there was a boom in Indian films in the USSR; her peers did not experience such feelings, but she, little, cried from the thought: “I will never visit India again.” Although my mother was born near Tula, she lives in the Rostov region and has never been to a popular eastern country.
Cambodia, the Angkor Wat temple, is an equally magical, alluring place for me. When I look at the remains of the temple, especially at the photos of my friends’ travels, I have the urge to go there immediately, just as I had the urge to run out into the street as a child, when I saw in the window of a private house how courtyard friends were frolicking and playing in the street. I’ll wander along the paths of the temple complex, touching stones that are thousands of years old. Touching the stones of ancient buildings and ruins is my special love.
I love places of power, abodes of ancient religions, especially Eastern ones. I’ve never been to Asia abroad, but I’ll certainly end up there, and the first place will be either Angkor Wat in Cambodia or the Taj Mahal in India to please my mother.
In the meantime, the dream turns into a goal, I suggest you enjoy the picture and hear it - The Whisper of the Holy Stone.
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俄罗斯当代艺术家奥尔加·谢列布良斯卡娅 (Olga Serebryanskaya) 从绘画衣服和墙壁转向创作令人难忘的画作，讲述她的旅行。 2021 年，她从阿隆·奥诺雷超写实绘画学院毕业，达到了一个重要的里程碑。这次变革之旅使她开始参与学院的推广工作。她对 15 个国家 15 种不同文化的探索塑造了她的创意之旅，展现了她的潜力之翼。但正是她在瑞典南部舒适小镇马尔默的逗留给她的创作精神留下了不可磨灭的印记。站在堤岸上，看着连接丹麦和瑞典的厄勒海峡大桥，奥尔加内心涌动着一股能量，让人想起时光机，把她带到了童年的窗台上，坐在窗台上，看着天空，梦想旅行。马尔默水的深灰蓝色调让她想起了那片天空，她把马尔默的海滨变成了她的“权力之地”。 对于奥尔加来说，这些“权力之地”分散在全球各地，每个地方都充满了独特的能量，她试图在她的画作中捕捉到这些能量。她的艺术叙事与风景和地点交织在一起，唤起温暖、充满胸部的能量以及实现童年梦想的喜悦，甚至在成年后也是如此。她作品的独特元素是银色，向她的姓氏致敬，象征着我们内心产生共鸣的无形而神奇的本质。 奥尔加·谢列布良斯卡娅[...]
俄罗斯当代艺术家奥尔加·谢列布良斯卡娅 (Olga Serebryanskaya) 从绘画衣服和墙壁转向创作令人难忘的画作，讲述她的旅行。 2021 年，她从阿隆·奥诺雷超写实绘画学院毕业，达到了一个重要的里程碑。这次变革之旅使她开始参与学院的推广工作。她对 15 个国家 15 种不同文化的探索塑造了她的创意之旅，展现了她的潜力之翼。但正是她在瑞典南部舒适小镇马尔默的逗留给她的创作精神留下了不可磨灭的印记。站在堤岸上，看着连接丹麦和瑞典的厄勒海峡大桥，奥尔加内心涌动着一股能量，让人想起时光机，把她带到了童年的窗台上，坐在窗台上，看着天空，梦想旅行。马尔默水的深灰蓝色调让她想起了那片天空，她把马尔默的海滨变成了她的“权力之地”。
对于奥尔加来说，这些“权力之地”分散在全球各地，每个地方都充满了独特的能量，她试图在她的画作中捕捉到这些能量。她的艺术叙事与风景和地点交织在一起，唤起温暖、充满胸部的能量以及实现童年梦想的喜悦，甚至在成年后也是如此。她作品的独特元素是银色，向她的姓氏致敬，象征着我们内心产生共鸣的无形而神奇的本质。
奥尔加·谢列布良斯卡娅 (Olga Serebryanskaya) 的画布超越了地理界限，邀请观众踏上视觉之旅，每一笔都证明了发现自己的“权力之地”的能量和喜悦。在她的画作中，她不仅传达了不同地方的美丽，而且还挖掘了人类与童年梦想重新联系并通过艺术征服世界的普遍经验。
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