Natures child (2024) 图画 由 Michael K Davis

木炭在纸上, 19.7x27.6 in
US$1,131.29
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Living and growing up in the UK of Caribbean/African background I felt no connection to the African Culture or heritage. Through books and literature I began trying to bridge the gap of knowledge and relationship to the heritage i felt lost. On top of that experiencing the way I am portrayed and received by the world due to my skin colour, I wondered[...]
Living and growing up in the UK of Caribbean/African background I felt no connection to the African Culture or heritage. Through books and literature I began trying to bridge the gap of knowledge and relationship to the heritage i felt lost. On top of that experiencing the way I am portrayed and received by the world due to my skin colour, I wondered what it would feel like to not be pre judged on first glance of my skin. what would it be like to live in a society not so dominated by a euro-centric worldly ideal of beauty?



I imagine this would be what it's like for the tribes people of East Africa. Untouched by the world views and opinions they see the beauty and reverence of their skin and choose to daily enhance it with various natural items borrowed from nature. They paint themselves and mostly each other in clays, use nuts, leaves and branches to adorn their bodies in a celebration of nature and their part of it.



The freedom to be whoever you are.


"Natures child" portrays a softness with the powerful presence of a young tribes girl in decoration which I felt would best reflect the softness and hard edges charcoal mediums provide.

Willow charcoal and charcoal pencil on toned paper.

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TribalForeignClanAfricaFemale

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Michael Davis is a British born artist who has also lived in France. He was classically trained at London Fine Art Studios. His geode inspired collection of abstracts takes inspiration from the processes of[...]

Michael Davis is a British born artist who has also lived in France. He was classically trained at London Fine Art Studios. His geode inspired collection of abstracts takes inspiration from the processes of nature, in particular the way that aesthetic beauty can be the result of intense external pressure and chemical synthesis. Initially, Davis was sparked by a love of malachite; the depth of the various greens, the dynamic frilling of the strata. This developed into a wider investigation into the formation of other geodes, representing their banding and colour fluctuations in oils, acrylics and digitally. Davis currently has a studio in Hastings, where he continues to explore figurative as well as abstract work.

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