composition (2020) Digital Arts by Matheus Gorovitz

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  • This work is an "Open Edition" Digital Arts, Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
about composition Composition – Set of points, lines, planes, volumes or colors arranged according to certain standards and aiming for a certain Plastic aim. Lucio Costa Composition is nothing more than a technique of making objective something subjective. A choice aiming to objectify the general sense intended[...]
about composition

Composition – Set of points, lines, planes, volumes or
colors arranged according to certain
standards and aiming for a certain Plastic aim.
Lucio Costa

Composition is nothing more than a technique of making objective something subjective. A choice aiming to objectify the general sense intended by the plastic compound chosen. Objectivity brought forth by composition, resides in the relationships that are established among the parties to be complete in itself; integrity of the form and with the desirable content – the intention. While being a support for meanings, decoding the work is dependent on the artifices of connectivity that legitimizes the composition. In it the judgment of taste will look for grounds that authorize him to evaluate whether the work is beautiful. I quote Adorno: “the identity of the work shall not be sought from an external point to
the work itself, because it arises from its own experience with the thing”.
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Matheus Gorovitz (1938), professeur titulaire retraité de la Faculté d’Architecture et Urbanisme de l’Université de Brasilia / FAU-UnB, où il a enseigné les disciplines d’Histoire de l’Art et Esthétique dans[...]

Matheus Gorovitz (1938), professeur titulaire retraité de la Faculté d’Architecture et Urbanisme de l’Université de Brasilia / FAU-UnB, où il a enseigné les disciplines d’Histoire de l’Art et Esthétique dans les cursus de deuxième et troisièmes cycles (depuis 1973). Diplômé par la Faculté d'Architecture et Urbanisme de l'Université de São Paulo / FAU-USP où il a obtenu son master et son doctorat. Il a été boursier postdoctoral à l'Université Paris I Sorbonne (2000).
Auteur des livres : Brasília, uma questão de escala, Os riscos do projeto et co-auteur, avec Marcílio Ferreira, de A invenção da superquadra.
Auteur des projets d'architecture de la Faculté des Etudes Sociales Appliquées, de la Station Essence et du Pavillon rattaché à la station, tous sur le campus de l'Université de Brasilia.

Expositions :
1998 – Matheus Gorovitz / Julien Gorovitz – Espaço Cultural do Banco Central do Brasil – Brasília ;
1998 – Artes gráficas – Mostra Panorama das artes visuais no Distrito Federal – Brasilia ;
2000 – Desenhos – Galeria Arktetonicos – Brasilia ;
2001 – Coletiva de pinturas na 3ª Bienal de Arquitetura de Brasília ;
2001 – Mostra de desenhos – Instituto de Arquitetos do Brasil / DF ;
2001 – Projeto Remix – Mostra de desenhos computadorizados – Espaço Cultural Renato Russo – Brasilia ;
2003 – Exposição de pinturas – Instituto de Arquitetos do Brasil.

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