E che sospiri la libertà (2022) Painting by Maryse Curinier-Rochette

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  • Original Artwork (One Of A Kind) Painting, Acrylic on Canvas
  • Dimensions Height 15.8in, Width 19.7in
  • Framing This artwork is not framed
  • Categories Conceptual Art War
Pas à vendre Très rapidement après le début de l'"Opération Spéciale" en Ukraine les premières images sont arrivées dans nos foyers par la télévision. Et la réalité était encore plus odieuse que mes cauchemars... Les villes riantes et proprettes étaient bombardées, les villages paisibles et leurs champs verdoyants et fleuris étaient[...]
Pas à vendre
Très rapidement après le début de l'"Opération Spéciale" en Ukraine les premières images sont arrivées dans nos foyers par la télévision. Et la réalité était encore plus odieuse que mes cauchemars... Les villes riantes et proprettes étaient bombardées, les villages paisibles et leurs champs verdoyants et fleuris étaient envahis par des soldats prêts à tuer pour ne pas être tués, les chars vrombissants laissaient d'énormes ornières et traînées grises qui choquaient.
J'ai pris au mur une toile avec un champ et deux boules de foin, colorées, paysage ensoleillé et serein. En Ukraine les paysans voyaient leurs champs saccagés, les citadins voyaient leurs maison ou leur résidence trembler...
C'est quand il y a la guerre qu'on apprécie le plus ce qui faisait la vie en temps de paix.
Le titre de l'oeuvre est aussi un extrait de "Lascia ch'io pianga"

Related themes

RussieUkrainePoutineMalheurSaccage

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Maryse CURINIER-ROCHETTE Born in 1954. The artist lives in Ardèche, France where she worked for a long time as a teacher. In 1977, following health problems, she[...]

Maryse CURINIER-ROCHETTE


Born in 1954.


The artist lives in Ardèche, France where she worked for a long time as a teacher.

In 1977, following health problems, she devotes herself fully to the education of her children and decides to prepare jointly a degree in psychology by correspondence, and a preparation for the degree in plastic arts.


Her work as a painter is the result of the disturbing opposition of the two emotions that lead her to create: on the one hand a contemplative sensitivity, and on the other hand a deep existential anguish linked to biographical and societal elements.


This dichotomy is expressed in her paintings by a multiplication of genres, themes and techniques.

Each work in its singularity is the answer to a moment T of his perpetual back and forth in search of a complicated balance between his doubts and fears and his tendency to wonder, his will to optimism.

A study of flowers testifies to the simple pleasure of observing the infinite aesthetic generosity of his environment, but the next painting drawn in a few energetic brushstrokes betrays his dismay, his helplessness and his distress in front of the suffering of his fellow human beings.

Often, his impression of dramatic loneliness is staged in a more allusive way by a detail such as a lone tree at the water's edge.

Sometimes, the choice of a humorous title proclaims a well-conceived joie de vivre.


The viewer is at first puzzled by this eclecticism. But the multiplication of anecdotes on the canvas offers him many opportunities to empathize, and he can then join the artist in his exploration of the complexity of the soul.

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