Boson XII (2021) Painting by Lancelot Blondeel

Acrylic on Canvas, 47.2x19.7 in
$2,030.57
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Mounted on Wood Stretcher frame
This artwork appears in 2 collections
  • Original Artwork (One Of A Kind) Painting, Acrylic on Canvas
  • Dimensions Height 47.2in, Width 19.7in
  • Framing This artwork is not framed
  • Categories Paintings under $5,000 Abstract
Boson: elementary particle twelve in number What is reality? How to explain what we do not see? – Or at least only through a particular media: senses, instrumentation or one’s mind. Elementary particle whose existence was theoretically postulated in 1964, it was not until 2012, that the Higgs boson was formally observed at[...]
Boson: elementary particle twelve in number

What is reality? How to explain what we do not see? – Or at least only through a particular media: senses, instrumentation or one’s mind.

Elementary particle whose existence was theoretically postulated in 1964, it was not until 2012, that the Higgs boson was formally observed at CERN (the European research organization that operates the largest particle physics laboratory in the world) using the most powerful particle accelerator ever built: the LHC (Large Hadron Collider).

In line with this destabilizing observation, how can we conceive a non-perceptible ontological fact? How distorted is our relationship to reality? How should we devise that which we cannot see?
In the world of particle physics, where mass = energy equivalence is recalled by a famous Einstein equation, this series of "Bosons" paintings explores the strange relation between energy or matter and our own subjectivity.

Created using acrylic paint, all thirteen works on display explore the world of the infinitely small. Each painting is done in a minimum of two coats, worked only with custom tools.
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Lancelot Blondeel, photographer and artist, questions the essence of existence and our relationship to the world around us. From his adolescence, he felt this tension between the "self" and the outside world,[...]

Lancelot Blondeel, photographer and artist, questions the essence of existence and our relationship to the world around us. From his adolescence, he felt this tension between the "self" and the outside world, exacerbated by philosophy classes in high school. This dichotomy between the perception of things and their own reality pushes him to question the functioning of our senses and the reliability of our consciousness to understand the world.

During his engineering studies, science offered him a temporary refuge, but it was the discovery of the work of the philosopher Clément Rosset which reassured him and strengthened him in his quest. He then realizes that it is this fundamental questioning about the relationship between humans and reality that truly guides him.

At the same time, a significant aesthetic experience during a retrospective dedicated to Zao Wou-Ki encouraged him to explore painting for the first time. He experiments with different materials and techniques, seeking to create a dialogue between texture and form, and to capture a singular aesthetic.

His second exhibition, rue des Beaux-Arts in Paris, offered him the opportunity to share space with renowned artists such as Henri Michaux, Georges Mathieu, Hans Hartung and Sol Lewitt, thus illustrating his gaze both turned towards the past and the future.

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