"Pucllana" (2023) Painting by Jose Luis Santamaria Campos

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Seller Jose Luis Santamaria Campos

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Seller Jose Luis Santamaria Campos

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Seller Jose Luis Santamaria Campos

  • Original Artwork (One Of A Kind) Painting, Oil on Canvas
  • Dimensions Height 23.6in, Width 31.5in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Paintings under $5,000 Abstract World Culture
This work is based on the Lima culture and the Pucllana huaca, a culture that developed in Peru in the valleys formed by the Chillón, Chancay, Rímac and Lurín rivers between the years 100 and 650 AD. (Christian era) The funerary bundles stand out from this culture. The construction of pyramids with adobe bricks placed vertically, their ceramics where[...]
This work is based on the Lima culture and the Pucllana huaca, a culture that developed in Peru in the valleys formed by the Chillón, Chancay, Rímac and Lurín rivers between the years 100 and 650 AD. (Christian era) The funerary bundles stand out from this culture. The construction of pyramids with adobe bricks placed vertically, their ceramics where you can see their relationship with marine species, as well as in their textiles. Etc. A hallmark of this culture is its iconography, which is simple: Most of its designs are based on the image of two snakes with triangular heads, a smiling supernatural being and an octopus. This iconography must have been created by weavers and then copied on other materials and possible supports. This artist's work is made in an Indigenous/Abstract interpretive technique of this culture.

Esta obra ésta basada en la cultura Lima y la huaca Pucllana, cultura que se desarrollo en Perú en los valles formados por los ríos Chillón, Chancay, Rímac y Lurín entre los años 100 y 650 D/C. (era cristiana) Destacando de esta cultura los fardos funerarios. La construcción de pirámides con ladrillos de adobe colocados en forma vertical, sus cerámicas donde se puede apreciar su relación con las especies marinas, como así también en sus textiles. Etc.. Un sello distintivo de esta cultura es su iconografía, que es sencilla: La mayoría de sus diseños se basan en la imagen de dos serpientes con cabezas triangulares, un ser sobrenatural sonriente y un pulpo. Esta iconografía debió ser creada por tejedores y luego copiada en otros materiales y posibles soportes. La obra de este artista se elabora en una técnica interpretativa Indigenista/Abstracta de esta cultura.
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Jose Luis Santamaria Campos is a contemporary Spanish painter. Having graduated from the Panamerican School of Art in Buenos Aires, Argentina, he encountered a period where he had[...]

Jose Luis Santamaria Campos is a contemporary Spanish painter. Having graduated from the Panamerican School of Art in Buenos Aires, Argentina, he encountered a period where he had to balance his artistic aspirations with a simultaneous career in creative direction across various advertising companies for several years.

Throughout his artistic journey, he seized opportunities to showcase his creations in diverse settings, participating in solo and group exhibitions across countries such as Argentina, Peru, and his homeland, Spain. A notable highlight in his exhibition history was the Contemporary Art Fair in Seville, Spain, in 2003.

Today, Santamaria boasts a collection of over 60 works that have garnered international acclaim, utilizing a variety of techniques, with a particular focus on oil and watercolor. His artistic style leans towards Impressionism, but he also explores themes of Indigenism, occasionally intersecting with the realm of Abstract art. Describing himself proves challenging for the artist, as he prefers viewers to form their own conclusions about his work. For Santamaria, art is a means of bringing his soul to the canvas, where he plays with colors to breathe life into a creation that becomes, in essence, a reflection of the artist himself.

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