Sunrise at Red Mangrove Bay (2024) 绘画 由 Jorge Gonzalez

丙烯在帆布上, 24x20 in
US$1,645
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Jorge Gonzalez 出售
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This is one of the paintings that is part of a series that I'm working on dealing with vanishing ecosystems and the animals that live in it. I'm using less common animals, which tend be less "loved" to highlight that all of God's creation serves a purpose. I'm using realism and also geometric forms. The series up to the[...]
This is one of the paintings that is part of a series that I'm working on dealing with vanishing ecosystems and the animals that live in it. I'm using less common animals, which tend be less "loved" to highlight that all of God's creation serves a purpose. I'm using realism and also geometric forms. The series up to the moment includes this piece, "Red Sea Stars", "Tidal Pool", "Majors in the Rain", "Don't Get Triggered By The Goggle Eyes", "Red on Yellow Kill a Fellow", "Bleached", "Una Morena y Sus Amigas", "Flounder and Friends", "Bycatch", "Gulf Stream Life", "Sunset at the Pond", "Hierba de Alacran" and "Una Cascabel y Sus Peyotes".
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Jorge R. Gonzalez I have been influenced by many artists for a variety of reasons. These artists have works that attract me to them in special ways. I have many favorite pieces, but I tend to have a few[...]

Jorge R. Gonzalez

I have been influenced by many artists for a variety of reasons. These artists have works that attract me to them in special ways. I have many favorite pieces, but I tend to have a few favorites such Michelangelo’s Moses because of the energy that he was able to bring out of the stone and the size which conveys a true sense of the impact that this man has had on human history, thought and beliefs. Picasso’s Guernica because of the expansive yet intimate capture of a tragedy in his homeland. Starry Night by Van Gogh because of the visual movement that he was able create on a two-dimensional medium. Karel Appel because of the rawness of color and greater than life scale of the pieces. Lastly Cristo and Jeanne-Claude’s many works because of the process of creation and conceptual aspects which totally intrigued me about their work.

I don’t have a preferred medium which in a way brings more freedom to my creative process. I will use any medium that allows me to convey what my goal for the piece will be, with understanding I consider myself a multi-media artist. I don’t limit myself to just painting or sculpture or photography but any of those disciplines that will carry my thoughts to conclusion, will be used by me. I have totally navigated away from photography, finding it to lack the freedom of expression that a canvas or a three-dimensional piece can give. Currently, I have navigated towards painting on canvas with acrylics, because it allows me more access to work in a series. I have limited my canvas size for the current series, since the messages in these works have a more intimate, almost diary page aspect to them.

My working process tends to be as follows: First a feeling or inspiration comes to me from many aspects of my life, then I will work on a plan to bring the idea/message to the final result. Sometimes it will be a series of works which allows me to explore the original inspiration to a point of coming to a full conclusion. I will look for inspiration in my daily life, childhood memories, religious experiences, politics and current events.

My themes tend to rest on life as a major component, I don’t strive to just place paint down or carve a piece of wood out for the sake of the process, but I strive to point out moments, places, things and feelings related to our existence in this beautiful planet. Communication is always the goal in my work. Religious iconography is to be found in many of my pieces, since my beliefs and life rest strongly on my experiences in Christ, but at the same time I don’t believe in using my work to preach to the viewer what my beliefs are. My work might have certain religious elements but there is a place for preaching and a painting on a wall is not what I feel is the correct venue for it.

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