Digital Arts titled "Ferrari 156 Shark N…" by Jan Keteleer, Original Artwork, 3D Modeling

Ferrari 156 Shark Nose - A Beautiful Ferrari That Was Often (2022) Digital Arts by Jan Keteleer

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This work is an "Open Edition" Digital Arts, Giclée Print / Digital Print

Artworks classification

Open Edition

The edition run continues. The production of new works is ongoing. These may be numbered. This includes works made-to-order, or prints on demand.
Dimensions Several sizes available
Several supports available (Fine art paper, Metal Print, Canvas Print)
Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
Categories Hyperrealism Car

The Ferrari 156 Shark Nose is a beautiful creation, as the name would imply. It is a single-piece nose, and is a part of the Ferrari Enzo series of cars. The first Ferrari with the shark nose was no exception to this rule. In fact, the original logo was so inspired by the streamlined body lines of the Ferrari that it actually had to be changed for the production model. The rest of the car was left as it was for many years, but when the replacement came along, it was time to bring the spark back to life.

The Ferrari 156 Shark Nose turned into an instant classic car and is still considered to be one of the greatest of its type on the market. For many years it was one of only a handful of cars that could use the full emblem on its side - a feat that was nearly accomplished by Chevrolet at one point. When Ferrari brought the car back for the US market in the early 1960s, it used its wing design more than any other car on the road at the time. After many modifications throughout the years, the car is what it is today.

Jan Keteleer

Belgium

From his interests in both classical art and modern / contemporary art, Belgian artist Jan Keteleer (JanKé) works with different styles. Ancient art is one of his interests, but you can also find examples of his work in pop art and impressionism. If you browse through Jan Keteleer's portfolio, you will find beautiful nature scenes, painterly images of animals or pop art-based nudes.

After years of working in commercial photography, he turned his interest to artistic black and white photography. Projects such as Speechless, Silent Dialogues and Roots with Taboo brought him fame. He was inspired by the problems of the multicultural society in Belgium, the coexistence of different national and ethnic groups, the issue of the language barrier and the lack of dialogue between the "old" (the native population) and the "new" Belgians (the immigrants).

Today he has devoted himself entirely to digital painting. Using classical techniques such as acrylic and pastel, he creates individual elements that are then digitally brought together and finished.

JanKé attaches great importance to the social significance of his works and integrates them into the context of public space (stations, airports and public transport), prompting the viewer to react and reflect. His projects have received the support of the organization Sprakeloos, which aims to use art to provoke discussion on social issues.

He has had numerous exhibitions in Belgium (in Antwerp, Bruges, Lier, Leuven and Ghent), in the U.S. (in Dallas and San Francisco) and in Poland (in Krakow).