Ferrari 156 Shark Nose 1961 at an old gas station (2022) Digital Arts by Jan Keteleer

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  • This work is an "Open Edition" Digital Arts, Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Categories Hyperrealism Car
The 1961 Ferrari 156 Shark Nose is an exceptional race car that won many races in the 1960s. The Ferrari 156 Shark Nose.has contributed a lot to the fame of Ferrari. Here I have pictured this Ferrari 156 Shark Nose at an old gas station. The oldtimer gas station where this car is located can be so situated on Route 66 in the United States[...]
The 1961 Ferrari 156 Shark Nose is an exceptional race car that won many races in the 1960s. The Ferrari 156 Shark Nose.has contributed a lot to the fame of Ferrari. Here I have pictured this Ferrari 156 Shark Nose at an old gas station.

The oldtimer gas station where this car is located can be so situated on Route 66 in the United States the landscape behind it is mountainous and the signage indicates that the next gas station is only 100 miles away. The atmosphere of this scene is sunlit and clearly takes place in the late afternoon.
I deliberately chose this atmosphere so that the work will bring a fun, pleasant atmosphere to your interior.

If you want to give your interior an extra stylish detail, this painting of an old race car, a Ferrari 156 Shark Nose is perfect.

Related themes

Ferrari 156 Shark Nose 1961 Classic Car Vintage Car

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From his interests in both classical art and modern / contemporary art, Belgian artist Jan Keteleer (JanKé) works with different styles. Ancient art is one of his interests, but you can also find examples of[...]

From his interests in both classical art and modern / contemporary art, Belgian artist Jan Keteleer (JanKé) works with different styles. Ancient art is one of his interests, but you can also find examples of his work in pop art and impressionism. If you browse through Jan Keteleer's portfolio, you will find beautiful nature scenes, painterly images of animals or pop art-based nudes.

After years of working in commercial photography, he turned his interest to artistic black and white photography. Projects such as Speechless, Silent Dialogues and Roots with Taboo brought him fame. He was inspired by the problems of the multicultural society in Belgium, the coexistence of different national and ethnic groups, the issue of the language barrier and the lack of dialogue between the "old" (the native population) and the "new" Belgians (the immigrants).

Today he has devoted himself entirely to digital painting. Using classical techniques such as acrylic and pastel, he creates individual elements that are then digitally brought together and finished.

JanKé attaches great importance to the social significance of his works and integrates them into the context of public space (stations, airports and public transport), prompting the viewer to react and reflect. His projects have received the support of the organization Sprakeloos, which aims to use art to provoke discussion on social issues.

He has had numerous exhibitions in Belgium (in Antwerp, Bruges, Lier, Leuven and Ghent), in the U.S. (in Dallas and San Francisco) and in Poland (in Krakow).

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