De Tomaso Pantera From 1971 - A True Sports Car (2022) Digital Arts by Jan Keteleer

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Seller Jan Keteleer

  • This work is an "Open Edition" Digital Arts, Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Categories Figurative Car
De De Tomaso Pantera uit 1971 is een echte sportwagen, een Italiaanse sportwagen die als allereerste en enige de klassieke 24-uursrace heeft gewonnen. Het is ook de eerste auto die de finishlijn van de Grand Prix van Italië passeerde. De De Tomaso kwam in zijn klasse niet echt van de grond door financiële problemen en de rest van de Italiaanse klassieke[...]
De De Tomaso Pantera uit 1971 is een echte sportwagen, een Italiaanse sportwagen die als allereerste en enige de klassieke 24-uursrace heeft gewonnen. Het is ook de eerste auto die de finishlijn van de Grand Prix van Italië passeerde. De De Tomaso kwam in zijn klasse niet echt van de grond door financiële problemen en de rest van de Italiaanse klassieke automakers vonden hun weg in de race door nieuwe auto's uit te brengen die sneller en technologisch geavanceerder waren dan de Pantera.

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De Tomaso Pantera 1971 Italy Classic Car

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From his interests in both classical art and modern / contemporary art, Belgian artist Jan Keteleer (JanKé) works with different styles. Ancient art is one of his interests, but you can also find examples of[...]

From his interests in both classical art and modern / contemporary art, Belgian artist Jan Keteleer (JanKé) works with different styles. Ancient art is one of his interests, but you can also find examples of his work in pop art and impressionism. If you browse through Jan Keteleer's portfolio, you will find beautiful nature scenes, painterly images of animals or pop art-based nudes.

After years of working in commercial photography, he turned his interest to artistic black and white photography. Projects such as Speechless, Silent Dialogues and Roots with Taboo brought him fame. He was inspired by the problems of the multicultural society in Belgium, the coexistence of different national and ethnic groups, the issue of the language barrier and the lack of dialogue between the "old" (the native population) and the "new" Belgians (the immigrants).

Today he has devoted himself entirely to digital painting. Using classical techniques such as acrylic and pastel, he creates individual elements that are then digitally brought together and finished.

JanKé attaches great importance to the social significance of his works and integrates them into the context of public space (stations, airports and public transport), prompting the viewer to react and reflect. His projects have received the support of the organization Sprakeloos, which aims to use art to provoke discussion on social issues.

He has had numerous exhibitions in Belgium (in Antwerp, Bruges, Lier, Leuven and Ghent), in the U.S. (in Dallas and San Francisco) and in Poland (in Krakow).

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