Bugatti Atlantic Italian design at its best (2020) Digital Arts by Jan Keteleer

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  • This work is an "Open Edition" Digital Arts, Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Categories Figurative Car
De meest gewilde auto ter wereld door autoverzamelaars is de Bugatti Atlantic uit 1930. Miljoenen geven zij aan een originele Bugatti Atlantic in perfecte staat omdat deze auto wordt begeerd om zijn schoonheid maar ook omdat elke Bugatti Atlantic een verhaal te vertellen heeft. Bugatti was en is alleen betaalbaar voor de rijkste mensen op aarde dus[...]
De meest gewilde auto ter wereld door autoverzamelaars is de Bugatti Atlantic uit 1930. Miljoenen geven zij aan een originele Bugatti Atlantic in perfecte staat omdat deze auto wordt begeerd om zijn schoonheid maar ook omdat elke Bugatti Atlantic een verhaal te vertellen heeft. Bugatti was en is alleen betaalbaar voor de rijkste mensen op aarde dus is het logisch dat alleen beroemde mensen ermee gereden hebben.

Related themes

1930S E.u. Italy Automobile Bugatti

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From his interests in both classical art and modern / contemporary art, Belgian artist Jan Keteleer (JanKé) works with different styles. Ancient art is one of his interests, but you can also find examples of[...]

From his interests in both classical art and modern / contemporary art, Belgian artist Jan Keteleer (JanKé) works with different styles. Ancient art is one of his interests, but you can also find examples of his work in pop art and impressionism. If you browse through Jan Keteleer's portfolio, you will find beautiful nature scenes, painterly images of animals or pop art-based nudes.

After years of working in commercial photography, he turned his interest to artistic black and white photography. Projects such as Speechless, Silent Dialogues and Roots with Taboo brought him fame. He was inspired by the problems of the multicultural society in Belgium, the coexistence of different national and ethnic groups, the issue of the language barrier and the lack of dialogue between the "old" (the native population) and the "new" Belgians (the immigrants).

Today he has devoted himself entirely to digital painting. Using classical techniques such as acrylic and pastel, he creates individual elements that are then digitally brought together and finished.

JanKé attaches great importance to the social significance of his works and integrates them into the context of public space (stations, airports and public transport), prompting the viewer to react and reflect. His projects have received the support of the organization Sprakeloos, which aims to use art to provoke discussion on social issues.

He has had numerous exhibitions in Belgium (in Antwerp, Bruges, Lier, Leuven and Ghent), in the U.S. (in Dallas and San Francisco) and in Poland (in Krakow).

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