Fresques sur papier 6 (2015) Painting by Jacqueline Pascaud

Not For Sale

Seller Jacqueline Pascaud

  • Original Artwork (One Of A Kind) Painting, Watercolor on Paper
  • Dimensions Height 4.7in, Width 6.7in
  • Framing This artwork is not framed
  • Categories Figurative Spirituality
"FRESQUES SUR PAPIER" Les fresques m’ont toujours fascinée. Durant des années, j’ai cherché comment arriver avec l’aquarelle au rendu de la fresque, à ses effacements/dévoilements des motifs dus aux siècles écoulés. Défi qui m’a paru insurmontable pendant longtemps mais mes expériences et ma ténacité m’ont permis de m’en[...]
"FRESQUES SUR PAPIER"

Les fresques m’ont toujours fascinée.
Durant des années, j’ai cherché comment arriver avec l’aquarelle au rendu de la fresque, à ses effacements/dévoilements des motifs dus aux siècles écoulés. Défi qui m’a paru insurmontable pendant longtemps mais mes expériences et ma ténacité m’ont permis de m’en approcher.
J’ai étudié les pigments, leurs composants, leurs mixités, leurs sédimentations, leurs interactions, etc.
J’ai dû également étudier les différents papiers, leurs composantes, leurs comportements.
Voici, aujourd’hui, le résultat de ces recherches.
Je n’ai pas encore trouvé comment faire de grands formats car le travail avec l’eau devient trop important et la sédimentation ne fonctionne plus aussi bien.
Je ne désespère pas…..

Série FRESQUES SUR PAPIER
"Echo à mes racines italiennes,
à ces fresques anciennes d’où émergent des instants d’éternité,
déposés par des artistes au sommet de la plus haute expression spirituelle"

Related themes

FresquesOrangeMarronBrunPersonnages

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BIOGRAPHY Complete biography in "News" After 15 years of musical practice ( cello, singing) in orchestra and chamber music, string quartet, but also in prenatal[...]

BIOGRAPHY

Complete biography in "News"

After 15 years of musical practice ( cello, singing) in orchestra and chamber music, string quartet, but also in prenatal singing, painting imposes itself on me

My approaches in sophrology, lithotherapy, Tai Chi, then allow me to create relaxation workshops around the vibrations of my cello (opening of the chakras) then opening an artistic expression workshop combining relaxation, music, painting etc

For 20 years, I have felt very close to ancient Chinese philosophy where the painter becomes a contemplative hermit to find his way, not afraid to take unusual paths to nourish the Spirit and find his inner strength. It's a long learning process to achieve this sensitivity, refine your feelings, awaken your senses.

I work for beauty, peace, serenity, harmony, spirituality.

For me, the artist's mission is to sow seeds, to bring out the creative spark that we all have deep within us. The artist is in search of the absolute. Creation is a moment of grace but a long work on oneself is necessary before offering the world the fruit of this experience. I paint standing, in the axis which connects sky and earth and becomes a channel, crossed by something larger than me.

Nature and plants arrive on earth with the memory of Light. Man arrives on earth with oblivion and he has to gather these sparks of Light to build himself and awaken.< /p>

Music accompanies each of my paintings: Bach, Handel, Mozart. However, silence imposes itself on me more and more in creation.

CREATIVE PROCESS< /em>

My work in painting does not belong to a school or an artistic movement. It is the fruit of my life journey, of 35 years of research and work in different fields that lead me to discover myself and find the meaning of my life.

I start by working on funds in a way intuitive and fun. A ritual accompanies my journey.

Then I meditate in front of the funds for hours, weeks, until the form takes shape. imposes itself. I learn to look with the eyes of the soul which seeks to express itself freely. My painting comes to me and we tame each other. #039;autre. Only then does the adventure and the birth of the work begin. Each feature is born millimeter by millimeter and the character is embodied in spite of me. This stage is done with a lot of hindsight because it can very quickly change, disappear forever and the meeting does not take place. It's like a meditative dance around this background, I constantly move forward and backward to give birth to it. Each trait is first felt in my heart and it is only when it is right in my body that it becomes right on paper. If I force it, it becomes ;escapes and the painting falls into nothingness.

It’s a work with the magical and sacred part of Life.

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