Natura morta: 11 settembre 2001 (2002) Sculpture by Ilario Massetti

Sculpture - Paper, 13.8x10.6 in
$2,294.88
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Certificate of Authenticity included
This artwork appears in 1 collections
Cartapesta, gesso, bottiglie di vetro, metallo, colori acrilici, gommalacca. Nata dalle mie idee personali sulla tragedia ormai simbolo del nuovo secolo. L'immagine di New York, la grande mela, servita sul piatto  per il sacrificio. Le vite umane, perite l'11 settembre, diventano, con un tragico gioco di parole, la natura[...]
Cartapesta, gesso, bottiglie di vetro, metallo, colori acrilici, gommalacca.

Nata dalle mie idee personali sulla tragedia ormai simbolo del nuovo secolo. L'immagine di New York, la grande mela, servita sul piatto  per il sacrificio.
Le vite umane, perite l'11 settembre, diventano, con un tragico gioco di parole, la natura morta del titolo.
 
Questo lavoro fa parte della serie Natura morta, che comprende: Don Chisciotte, Istantanea di famiglia, Piccola mela blu, Sipario, Il rito,

Incluso Certificato di Autenticità.

 
"Natura morta: September 11, 2001" - Paper, gesso, glass bottles, metal, acrylic colours, shellac.
Born from my personal ideas on the tragedy now a symbol of the new century. The image of New York, the big apple, served on the plate for the sacrifice.
Human lives, perished on September 11, become, with a tragic game of words, the “natura morta” (two meanings in Italian = “dead nature” and “still life”) of the title.
 
This artwork is part of the series Still life which includes: Don Quixote, Family snapshot, Little blue apple, The curtain, The rite.
 
Certificate of Authenticity included.

Related themes

9/1111 SettembreStill LifeNatura MortaNew York

Automatically translated
Paper Metal Glass 9/11 11 settembre still life natura morta New York sacrifice sacrificio tragedy tragedia big apple grande mela mela coltello knife assemblage bottle assemblaggio bottiglia cartapesta conceptual
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Ilario Massetti Portrait
Ilario Massetti
Italy
Autodidact. I am particularly attracted by the Shape: the shape of things, the body, the volume, that I try to reproduce, in their details or synthetically or in an abstract manner: either by means of a pencil[...]

Autodidact. I am particularly attracted by the Shape: the shape of things, the body, the volume, that I try to reproduce, in their details or synthetically or in an abstract manner: either by means of a pencil or a pen that, through the chiaroscuro, the shades of gray or nuances of colour, allow me to recreate their volume and their structure; or by manipulating and modelling simple and of common use materials, sometimes unusual, in a creative process that can also be a real challenge to find a personal way to use them.
I do hope the wievers feel at least some of the emotions that I experienced and that led me to create my work.

Automatically translated

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