overbruggen-def.jpg (2019) Painting by Bert Hermans

Oil on Canvas, 35.4x35.4 in
$3,732.3
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  • Original Artwork Painting, Oil on Canvas
  • Dimensions Height 35.4in, Width 35.4in
  • Categories Paintings under $5,000 Figurative
Bert's painting called 'Crossing bridges' was inspired by a visit in September 2018 to the old railroad bridge 'De Hef' in Rotterdam. 'De Hef' (which means lever) is a steel railroad bridge that connects the Northern Island (Noordereiland) in the river Maas with the Southern district Feyenoord in Rotterdam.[...]
Bert's painting called 'Crossing bridges' was inspired by a visit in September 2018 to the old railroad bridge 'De Hef' in Rotterdam.
'De Hef' (which means lever) is a steel railroad bridge that connects the Northern Island (Noordereiland) in the river Maas with the Southern district Feyenoord in Rotterdam. The Hef bridge Rotterdam was built in 1877 as a moving swing bridge to connect railroad traffic in the North of the Netherlands with the South. De Hef was part of a long railroad bridge that ran straight through the city of Rotterdam. In 1918, a German steamship ran into the swing bridge and destroyed it. The original lift bridge was replaced by a movable swing bridge which was completed in 1927. De Hef Rotterdam was the first rail bridge of its kind in Western Europe. De Hef is operated by two 60 meter high towers with huge concrete counterweights to lift the bridge deck. This construction allows big ships to pass under the bridge.
In 1993, the Willems railroad tunnel was opened to replace De Hef in Rotterdam and other railroad bridges. Nowadys trains pass the river Maas underwater and a big part of the city of Rotterdam underground. Nowadays De Hef is not in use anymore, but you can still see the railroad tracks at the bridge. The Hef bridge in Rotterdam is sometimes open for visitors and is a Dutch national heritage site. The Hef's official name is Koningshavenbrug Rotterdam. This contrast is typical for the architecture in Rotterdam.
On the bridge in the painting you can observe two persons, unlikely to be there: a young boy and a beggar. The beggar kisses the hand the boy and symbolizing with that act the title of the painting: 'Crossing bridges'. As a model for the beggar Bert choosed Dobri Dimitrov Dobrev (20 July 1914 – 13 February 2018). Dobri Dimitrov Dobrev, better known as Grandpa Dobri or The Saint of Bailovo, was a Bulgarian ascetic who walked over 20 kilometres (12 mi) each day to sit or stand in front of the Cathedral of Alexander Nevsky in Sofia to collect money for charitable causes. Dobrev donated all the money he collected to charities, orphanages, churches, and monasteries. He turned 100 in July 2014. In Bulgarian, his name translates as "good" or "kind".
In background of the painting the other two mayor bridges (the Willemsbrug and the Erasmus brug) can be seen.
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I was born in Voorburg (Netherlands) and live in Rotterdam. My interest in drawing and painting started at secondary school in Tilburg. Spatial mathematics (stereometry) really appealed to me. I also took drawing[...]

I was born in Voorburg (Netherlands) and live in Rotterdam. My interest in drawing and painting started at secondary school in Tilburg. Spatial mathematics (stereometry) really appealed to me. I also took drawing lessons there from a well-known painter, Jan Asselbergs. He thought I should go to art school, but because of the poor job market prospects I didn't do that at the time. I actually wanted to become an architect myself, but I worked as a lawyer. Nevertheless, my interest in (spatial) drawing and painting remained and I have picked up that thread again carefully, in addition to my work. I took painting lessons at the Stichting Kunstzinnige Vorming in Rotterdam (SKVR) in acrylic, watercolor and oil painting. Later I started specializing in oil painting. In line with my previous interest in architecture, I focused on industrial and cultural heritage. An inexhaustible theme.

In my work I have been influenced by artists such as Pieter Saenredam, M.C. Esscher and Hopper and the architecture of Frank Lloyd Wright, among others.
I have been making my oil paintings since 2013 in my studio at Vest 69 in Gouda. The source of inspiration for my paintings are abandoned and often dilapidated industrial buildings, which I usually capture just before demolition or renovation through sketches and photos. In addition to industrial heritage, I also paint cultural heritage: well-maintained or restored buildings with a cultural value.
I want to make my paintings a special experience through the use of color and light. Dark desolation has to make way for light and warmth. I regularly add characters to the heritage that give the image a different or extra meaning. Some paintings contain a "hidden message" or a reference to current events.


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