Bicéphale Totem Hiding Lilliput (1998) Painting by Grégory Dreyfus

Digital Painting on Paper, 96.1x74.8 in
$4,711.86
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Bicéphale Totem Hiding Lilliput. This portrait variation comes from a draft about two profiles, two stories, two possibilities of one guy story at that time... then two directions encounters on computer, of an another "parallel of superposition's possibilities" structured like a Three parts model's dimensions, a Totem[...]
Bicéphale Totem Hiding Lilliput.

This portrait variation comes from a draft about two profiles, two stories, two possibilities of one guy story at that time... then two directions encounters on computer, of an another "parallel of superposition's possibilities" structured like a Three parts model's dimensions, a Totem sewn from a collected unconscious, certainly from feelings of filming from the time when I played bad guys or good guys as an actor.

Or more probably this role : "Max" in the film "100 days" shot over 8 years and where I found myself all alone in the world, an artist lost in all of Paris, trying to wake up this world...
We are started it in 1996, then continue 1998, then pursue...

It results here a cross Storie of Lilliput (also created by Grégory Dreyfus) and Bicéphale Totem -

Lilliput is that graphic naked human-body character with an eye for a head, who sometimes lives in surrealistic, expressionist, sardonic situations, and at other times, prophetic or erotic ones.
Of course it reveals a tortured soul, vivid like an animal being skinned alive or that hyper sensible human hero, walking about on his own life, struggled often or enjoyed it a lot… But always with a pure, consciousness about life flow through him. He's like a superhero without superpower but ultimately conscient of it.

That collection is also corresponding to a work that I wanted to expand but not yet completely finished here on the Digital(e) Totems collections.

I’m very pleased to present it some of them behind the screen... with that hoping you’d like it.

grégorydreyfus©1998-2022

Related themes

GrégorydreyfusDigital(E) Totems CollectionsTotemsBicéphale Hiding Lilliput2Possibilities Of 1Guy Story

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Grégory Dreyfus decided very early on to become a painter. The obvious, an artist, but not only... An actor, an author, a director, a director, a photographer... A sort of family atavism which was[...]

Grégory Dreyfus decided very early on to become a painter. The obvious, an artist, but not only... An actor, an author, a director, a director, a photographer... A sort of family atavism which was to be gloriously balanced in art, by the action of one as by the action of the other. Dancer, mime, designer and singer were, however, his first living expressions.

After 4 years spent studying art and design at the JULIAN Academy and the school of graphic art and interior architecture, “Met de Penninghen” in Paris. And after having been the apprentice of one of the last great alchemists of oil painting. Or ambitious for having been approached, the Magnum photo agency in NY as photographer. ...Meeting masters, maintaining exchanges with great artists. Passionate about the History of ideas, self-knowledge... - A pronounced taste for Asia. But living in particular in London, Paris, NY and Taipei - He never stopped working to develop his creation, linking their very actions in all aspects.

Drawing, painting, playing, dancing, framing, installing... launching into transversal work, as an actor on all forms of theater stages as well as film sets - author, director - director... and visual artist. Thus nourishing each “act” of creation from one to the other, he jointly amplified this creativity.

...At the same time, he embraced the world and industries of advertising, music, theater and cinema at different levels of creativity and responsibility.

...Leading like a weaving, this multi-body work with a thread of happy subsistence, in a life of perpetual advancement. ...Linking very often, always developing, constantly projecting, in the transversal perspective, this long-term "movement".

Today, he leads all the battles head-on in the balance of an almost musical dialogue...And in short! ...To simply make a work.

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