" Les choses de la vie " - Série COMMOTIONS n•14 (2019) Painting by Grégory Dreyfus

Oil on Linen Canvas, 76.8x51.2 in
$71,768.61
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This print is available in several sizes.

$32.23
$51.57
$105.29
Customer's reviews Excellent
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Seller Grégory Dreyfus

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork is framed
Mounted on Wood Stretcher frame
This artwork appears in 1 collections
  • Original Artwork (One Of A Kind) Painting, Oil / Charcoal / Tempera on Linen Canvas
  • Dimensions 76.8x51.2 in
    Dimensions of the work alone, without framing: Height 76.8in, Width 51.2in
  • Framing This artwork is framed
  • Categories Paintings from $20,000 Expressionism
" DISCONTINUITÉ, LES CHOSES DE LA VIE " - Série Commotions N°14 Un couple... Les dimensions du choix dans une vie. De ces années que l'on a fusionnées, ensemble. De ces tranches de vie assumées, Et la déshérence des non-dits, Le précipice réexaminé, Les jambes qui tremblent.[...]
" DISCONTINUITÉ, LES CHOSES DE LA VIE " - Série Commotions N°14


Un couple...
Les dimensions du choix dans une vie.
De ces années que l'on a fusionnées, ensemble.
De ces tranches de vie assumées,
Et la déshérence des non-dits,
Le précipice réexaminé,
Les jambes qui tremblent.
...Quand une décision est prise.


La "similitude parallèle de superposition", sur chaque possibilité d'un acte, d'un mouvement sur nos vies, dans l'univers ...qui par transparence offre l'accès démultiplié à nos espaces, à nos errances - nos schémas de vie - nos actions différées dont chacune d'elles ...infligent cette "variation" affectée par nos choix à leurs actes dérivés et à leurs conséquences ainsi produites.
C'est en traversant "ces similitudes parallèles" de choix que l'on observe dans la linéarité, la combinaison élastique de notre conscience, d'une action = une réaction.
L'un des chemins emprunté pour observer cette transparence des variations sur le fil rouge de notre vie de choix additionnés est notre perception du réel guidée par notre conscience, mais affectée de nos marqueurs subconscients. Et c'est bien par cette linéarité, d'action-réaction que l'on vit toujours d'ailleurs, à l'absorption de nos non-choix dans la réalité.

Et l'on imagine ce que serait advenu si ...par une autre variation métaphysique et/ou subconsciente, d'une autre similitude comme autre possibilité de nos vies ...si une cause différée avait fait varier alors, une autre conséquence sur nos choix appliqués. ...L'autre voix, l'autre couple, l'autre engagement dans la vie de ces mêmes personnages face à leurs voix possibles suscitées.

La dimension des choix que l'on fait de résister ou non aux tensions, aux troubles, aux réponses employées, aux variations émises (qui n'apportent pas nécessairement d'ailleurs une logique distribuée aux choses) donnent la nature d'une autre distribution des combinaisons d'équations : le rapport de l'inné et de l'acquis. Des risques engagés ou préparés. De la compréhension des choses et de celles des interactions.

Il y a deux êtres, un couple, les enfants, les choses de la vie.
Une histoire d'amour ou un sacerdoce ...l'amour fou, les désirs en communs ou précipités, les penchants ...les prérogatives, les désillusions, les commotions ...les désirs, les atermoiements ...les frustrations, les résistances ...institutionnalisés... l'enfer.
Déséquilibres et disharmonies, mésententes et vilénies, les séparations, les solitudes, les errements. Pas toujours dans le même ordre.

Point supplémentaire à ajouter, derrière les deux visages entrecroisés et symbolisé par le meuble télé, un hommage à ces années-là avec Claude Sautet et ..."Les choses de la vie".


(Partie B sur la droite, du diptyque N13-N14, peints ensemble - à cheval sur le début d'année 2019 - ...mais ayant leur vie propre)


©2019-byGrégoryDreyfus

Related themes

Un CoupleLes Choses De La VieDiscontinuitéLes Dimensions Du ChoixTranches De Vie

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Grégory Dreyfus decided very early on to become a painter. The obvious, an artist, but not only... An actor, an author, a director, a director, a photographer... A sort of family atavism which was[...]

Grégory Dreyfus decided very early on to become a painter. The obvious, an artist, but not only... An actor, an author, a director, a director, a photographer... A sort of family atavism which was to be gloriously balanced in art, by the action of one as by the action of the other. Dancer, mime, designer and singer were, however, his first living expressions.

After 4 years spent studying art and design at the JULIAN Academy and the school of graphic art and interior architecture, “Met de Penninghen” in Paris. And after having been the apprentice of one of the last great alchemists of oil painting. Or ambitious for having been approached, the Magnum photo agency in NY as photographer. ...Meeting masters, maintaining exchanges with great artists. Passionate about the History of ideas, self-knowledge... - A pronounced taste for Asia. But living in particular in London, Paris, NY and Taipei - He never stopped working to develop his creation, linking their very actions in all aspects.

Drawing, painting, playing, dancing, framing, installing... launching into transversal work, as an actor on all forms of theater stages as well as film sets - author, director - director... and visual artist. Thus nourishing each “act” of creation from one to the other, he jointly amplified this creativity.

...At the same time, he embraced the world and industries of advertising, music, theater and cinema at different levels of creativity and responsibility.

...Leading like a weaving, this multi-body work with a thread of happy subsistence, in a life of perpetual advancement. ...Linking very often, always developing, constantly projecting, in the transversal perspective, this long-term "movement".

Today, he leads all the battles head-on in the balance of an almost musical dialogue...And in short! ...To simply make a work.

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