" Promenade des Innocents " - Série COMMOTIONS n•6 (2016) Painting by Grégory Dreyfus

Acrylic on Linen Canvas, 51.2x38.2 in
$28,639.01
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A Niçoise promenade. I used, at certain times of childhood or adolescence when I came to spend a few holidays and even later ... to go down with my mother from the heights of Nice to Cimiez, to the sea for our ritual walk. I often accompanied her on trips - ... She was born in 27. It was extremely beautiful, dry and cold that year - It was during the[...]
A Niçoise promenade. I used, at certain times of childhood or adolescence when I came to spend a few holidays and even later ... to go down with my mother from the heights of Nice to Cimiez, to the sea for our ritual walk. I often accompanied her on trips - ... She was born in 27. It was extremely beautiful, dry and cold that year - It was during the winter period 2006. We had taken a few days shortly before Christmas to come. , for this last time, just before going to join the family in the hinterland - My mother liked to find her foothold in Nice, she was resting there. We arrived on the Promenade, reserved our table in this feast restaurant where my father and she had had their memories ... - their marriage between them two, and which was especially celebrated on the sly just between friends; my father's cousins from Nice - ... Ah, I had learned some things from this restaurant. It took a few minutes for the hugs and the chef and the boss to come out of the kitchen in full swing to come and greet the baroness - as soon as we did, we went facing the sea ... land ... always in the same place, always a little before noon. I was setting the chairs in this little jar of junk on the ground. Alone on the windy promenade, we took in the sunshine that we lacked. Examining life on our horizon, bundled up in our chairs, legs outstretched, smiling at the beauty. We were good ... - We were smiling! I still see her smirking, with that beautiful dentin precipitate that illuminates a face, red and prickly lips. Without indulging too much in the cold under his hat. And then we would talk to each other ... We would tell each other, we would listen to each other. And we laughed a lot. ... Of my jokes and those of others who stayed in our minds or who reminded us of their nonsense and other little follies. Like a repetitive additive that came back in solstice to compress this sweet laughter ... which would explode again into laughter, always very dignified, at home, even more beautiful. We were having fun. She told me about her life ... the little things, the big things - the serious things ... always came back at the end. A good smell came to tickle our nostrils, I knew that we had left anyway to feast afterwards, because my mother also had a good appetite. We immediately let go of our problems. And we got up. And strangely ... from as far back as I can remember, I always told myself that it was strange for me to feel anyway, this high heart that took me and that I tried to deviate all the time, crossing the boulevard. Yes - I had had vagal discomfort all my life but this disorder was not that sucked sensation of dying, when all your energy leaks or runs away. No, that one was much less unsettling. For he was keenly aware of the surgescence of something hard, distant and serious. So distant that it was not understandable or recognizable and that it had to do only with you in this incompressible plate, but then ... instead? - Something serious or serious, and heavy ... which certainly comes to embrace you, like a feared thought that does not confess to itself - or to people because unthinkable, unthought, foolish if not on the ground science fiction. It was time to cross over and land ... a stone's throw from the restaurant. I opened the door for my mother. And did not think about it any more. Until ... Until. © Grégory Dreyfus-2016

Related themes

Série CommotionsAttentat De Nice14 Juillet 2016Promenade Des AnglaisLa Peur

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Grégory Dreyfus decided very early on to become a painter. The obvious, an artist, but not only... An actor, an author, a director, a director, a photographer... A sort of family atavism which was[...]

Grégory Dreyfus decided very early on to become a painter. The obvious, an artist, but not only... An actor, an author, a director, a director, a photographer... A sort of family atavism which was to be gloriously balanced in art, by the action of one as by the action of the other. Dancer, mime, designer and singer were, however, his first living expressions.

After 4 years spent studying art and design at the JULIAN Academy and the school of graphic art and interior architecture, “Met de Penninghen” in Paris. And after having been the apprentice of one of the last great alchemists of oil painting. Or ambitious for having been approached, the Magnum photo agency in NY as photographer. ...Meeting masters, maintaining exchanges with great artists. Passionate about the History of ideas, self-knowledge... - A pronounced taste for Asia. But living in particular in London, Paris, NY and Taipei - He never stopped working to develop his creation, linking their very actions in all aspects.

Drawing, painting, playing, dancing, framing, installing... launching into transversal work, as an actor on all forms of theater stages as well as film sets - author, director - director... and visual artist. Thus nourishing each “act” of creation from one to the other, he jointly amplified this creativity.

...At the same time, he embraced the world and industries of advertising, music, theater and cinema at different levels of creativity and responsibility.

...Leading like a weaving, this multi-body work with a thread of happy subsistence, in a life of perpetual advancement. ...Linking very often, always developing, constantly projecting, in the transversal perspective, this long-term "movement".

Today, he leads all the battles head-on in the balance of an almost musical dialogue...And in short! ...To simply make a work.

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