Un avant poste à Salmanoé (2023) Photography by Gaspard De Gouges

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Seller Gaspard De Gouges

  • Original Artwork Photography, Digital Photography
  • Dimensions Dimensions are available on request
  • Artwork's condition The artwork is in perfect condition
  • Categories Hyperrealism History
Roches sculptées par les vents et les eaux entourent une construction ruinée perdue au milieu de nul part. Arcbouté aux rochers cet ancien avant-poste du Farghestan n'en finit pas de mourir dans le golfe des Syrtes, un des derniers témoignages du système de surveillance de l'ancien Farghestan maintenant démembré. Cette mise en scène de Gaspard[...]
Roches sculptées par les vents et les eaux entourent une construction ruinée perdue au milieu de nul part. Arcbouté aux rochers cet ancien avant-poste du Farghestan n'en finit pas de mourir dans le golfe des Syrtes, un des derniers témoignages du système de surveillance de l'ancien Farghestan maintenant démembré. Cette mise en scène de Gaspard de Gouges contribue à créer un monde imaginaire inspiré par le travail de l'écrivain Julien Gracq.

Rocks sculpted by winds and waters surrounded a ruined construction lost in the middle of nowhere. Leaning against the rocks, this former outpost of Farghestan never stops dying in the Gulf of Syrtes, one of the last testimonies of the surveillance system of former Farghestan, now dismembered. This staging by Gaspard de Gouges contributes to creating an imaginary world inspired by the work of the writer Julien Gracq.

Related themes

ÎleFarghestanVoyageVacancesJourney

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Gaspard de Gouges lives and works in the Gard, between Montpellier and Marseille (France). He is a graduate of the National School of Decorative Arts in Paris. In the early 2000s, he began to paint[...]

Gaspard de Gouges lives and works in the Gard, between Montpellier and Marseille (France). He is a graduate of the National School of Decorative Arts in Paris. In the early 2000s, he began to paint large format figurative canvases, group portraits. Since 2021 he has devoted himself to photography, which has become a game for him, a kind of motionless journey.

"I started photographing scenes when I was 10 years old, with very realistic toys and models that I built with stalks of dry grass, miniature vehicles. For a long time I wanted to photograph islands, to their dreamlike power, I love to travel there and their memory persists. Their existence plunges us into an elsewhere. I imagined them tropical, but it is on mineral and Mediterranean islands that I finally decided to evoke. My approach is to create stagings, artificial but plausible, realistic landscapes. I create imaginary worlds, sometimes containing ruins, at least rocks that sometimes make me think of fortresses. These landscapes surprise me and always give me a lot of pleasure to create. "

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