Le mirage (2022) Photography by Gaspard De Gouges

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  • Original Artwork Photography, Digital Photography
  • Dimensions Dimensions are available on request
  • Artwork's condition The artwork is in perfect condition
  • Categories Figurative Boat
L'image est surréaliste sans aucun doute. Une île gigantesque, verticale, sans accès possible a priori, s'élance vers les cieux déployant des falaises quasi verticales. Mais ce qui interroge ici c'est la couleur des rochers. Comment se fait-il qu'un rocher ocre jaune flamboyant puisse voisiner avec un monolithe de couleur ombre[...]
L'image est surréaliste sans aucun doute. Une île gigantesque, verticale, sans accès possible a priori, s'élance vers les cieux déployant des falaises quasi verticales. Mais ce qui interroge ici c'est la couleur des rochers. Comment se fait-il qu'un rocher ocre jaune flamboyant puisse voisiner avec un monolithe de couleur ombre brûlée. Et ces formes, ne sont elles pas trop géométriques, trop gigantesques par rapport à la corvette qui navigue au pied de l'île ? Les couleurs chaudes des rochers verticaux s'opposent aux couleurs froides des ondes horizontales qui stries la mer telles des lamelles. Les nuances se marient parfaitement avec celles du ciel gris neutre.

Related themes

ÎleBateauFalaisesCliffSea

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Gaspard de Gouges lives and works in the Gard, between Montpellier and Marseille (France). He is a graduate of the National School of Decorative Arts in Paris. In the early 2000s, he began to paint[...]

Gaspard de Gouges lives and works in the Gard, between Montpellier and Marseille (France). He is a graduate of the National School of Decorative Arts in Paris. In the early 2000s, he began to paint large format figurative canvases, group portraits. Since 2021 he has devoted himself to photography, which has become a game for him, a kind of motionless journey.

"I started photographing scenes when I was 10 years old, with very realistic toys and models that I built with stalks of dry grass, miniature vehicles. For a long time I wanted to photograph islands, to their dreamlike power, I love to travel there and their memory persists. Their existence plunges us into an elsewhere. I imagined them tropical, but it is on mineral and Mediterranean islands that I finally decided to evoke. My approach is to create stagings, artificial but plausible, realistic landscapes. I create imaginary worlds, sometimes containing ruins, at least rocks that sometimes make me think of fortresses. These landscapes surprise me and always give me a lot of pleasure to create. "

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