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Loculus Decompositionis (2024) Digital Arts by Francisco Tabakman (Frankly Tired)
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This image is available for download with a licence
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Original Artwork (One Of A Kind)
Digital Arts,
Digital Painting
/
3D Modeling
/
2D Digital Work
on Paper
- Dimensions Height 39.4in, Width 27.6in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Digital Arts under $1,000 Outsider Art Esotericism
La puerta, usualmente un símbolo de acceso y salida, se transforma en una reja de metal, barrera que, en este contexto, representa la imposibilidad de escapar de la violencia que se desata dentro. Esta puerta está bloqueada por lo que parecen ser unas manos gigantes y deformes que se entrelazan entre las hendiduras para sujetarla, simbolizando el control y la opresión ejercidos sobre aquellos que intentan buscar libertad. Este elemento visual impactante destaca la paradoja de la habitación como un lugar supuestamente seguro, que, no obstante, se convierte en una trampa difícil de abandonar.
La lámpara, en lugar de ser un elemento común del hogar, se presenta como una que podría pertenecer a un tinglado o un lugar en reparación. Esta elección visual simboliza la claridad y la conciencia de la situación. En lugar de la cálida luz que ilumina un hogar, esta lámpara proyecta una luz cruda y despiadada sobre la realidad del maltrato doméstico, destacando el dolor y la vulnerabilidad de quienes sufren en este entorno.
Las gavetas entreabiertas en la habitación revelan un complicado entramado de pensamientos y estrategias de escape. Cada cajón representa una variante de pensamientos, desde la negación hasta la fantasía escapista, utilizados como mecanismos de afrontamiento para soportar el tormento de la situación. Sin embargo, estas gavetas, a pesar de estar entreabiertas, se muestran vacías, reflejando la escasa esperanza que subsiste en este contexto. La ilusión de escape se disuelve al enfrentarse a la cruda realidad de un entorno sin soluciones fáciles.
Las paredes y el suelo, hechos de piel y carne viva, añaden una capa adicional de simbolismo. Estos elementos visuales representan la dualidad de la seguridad interna y las heridas emocionales causadas por la violencia doméstica. La piel, símbolo de protección y límite entre el yo y el exterior, se convierte en una metáfora de la vulnerabilidad, ya que es utilizada para construir las paredes que rodean este espacio claustrofóbico. La carne viva, por otro lado, evoca las heridas internas y externas, ilustrando el dolor físico y emocional infligido en el transcurso de una vida marcada por el maltrato.
Related themes
"The creations of Frankly Tired transcend the limits of conventional artistic expression. They act as mirrors reflecting situations marked by intrusive and violent thoughts, exploring nightmares, frustrations, and the accumulated suffering of those who have clashed with a society incapable of understanding the unusual, the unheard-of, and the different. Its purpose is not limited to mere creative exercise; it seeks to honor those who lost the battle against depression, anxiety, and other mental conditions, while sharing its own struggle with these conditions.
Frankly Tired strives to imbue its works with a deeper dimension, urging the viewer to appreciate the neurodivergent perspective. Through challenges and reflections, it invites introspective analysis of past experiences. Its artistic vision aspires to connect the observer with emotions that they may not have fully explored.
Abandoned liminal spaces or sometimes inhabited by threatening golems. These are the landscapes presented to us as a way of shaping fears and frustrations. Its figures and spaces are created through code. The brush is replaced by mathematics and algorithms. The results are sought, but there is an element of chance in the whole game, the ghost in the machine interpreting the user/artist's commands. Unlike images generated by Artificial Intelligence, Frank's work focuses on controlling the form; the images are generated from the artist's imagination.
Just as Bacon studied movement in search of a more cerebral figuration, Frank subjects the machine to calculations about the texture and physics of its objects. A look at art from a technical perspective seldom seen in the national scene, if not unprecedented."
Daniel Milessi Arcondo
- Nationality: PARAGUAY
- Date of birth : 1988
- Artistic domains:
- Groups: Contemporary Paraguayan Artists