Lovers 57 (2021) Drawing by Edwin Loftus
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This image is available for download with a licence
Sold by Edwin Loftus
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Original Artwork (One Of A Kind)
Drawing,
Pastel
on Paper
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Dimensions
15x12 in
Dimensions of the work alone, without framing: Height 12in, Width 9in - Framing This artwork is framed (Frame + Under Glass)
- Categories Drawings under $1,000 Figurative Love
For the male, anal penetration is often more intensely sensational due to the musculature and texture of the rectum versus the vagina. For the female, the issue is partly dependent on variables in female anatomy. Clitoral sensitivity for some women ends closer to the surface and for others extends further into the vagina. for the latter, anal penetration can cause greater clitoral stimulation owing to the adjacency and flexibility of these passages. Of course, direct clitoral stimulation can compensate or accentuate the experience in either variation. The tissues in either orifice are able to expand to accommodate sizes greater than the thickest human penis, so pain shouldn't be a problem, but for some it is.
Some males have an aversion to this practice since it is also a primary homosexual form of sex. If you aren't attracted to other men, "homophobia" has nothing to do with it.
Some people like the same sex, but most people don't. Some women like anal and some don't.
The question in this drawing is the viewer's response. Just as, if you read this, it's your response to this discussion of anal sex. Not, the information provided, but the fact that the topic was discussed in a public forum. This drawing and many others I display seek a conscious judgment of their technical skill, their anatomical knowledge and the fact that they are displayed at all in defiance of taboos.
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Edwin Loftus is an American painter and draftsman born in 1951. His interest in art began at the age of 4 when he decided to draw something real rather than working from his imagination.
As a child he excelled at drawing and as a teenager he began to experiment with oil painting. In college, he took courses in art and art history and realized that true art had nothing to do with the quality of the drawing or painting, but that it had to have the ambition to push the boundaries and expand the visual experience.
He also studied philosophy, psychology and history and quickly realized that it was just another art establishment trying to defend its elitist industry and reward system. Their skills were almost non-existent, they knew nothing about psychology, perception or stimulus response, and they were extensions of the belief system that made communism, fascism and other forms of totalitarianism such destructive forces in the world. They literally believe that art shouldn't be available to ordinary human beings, but only to an elite "sophisticated" enough to understand it.
Edwin Loftus realized that the emperors of art had no clothes, but they were still the emperors. Gifted in art, he worked hard to acquire this skill. So he found other ways to make a living and sold a few artworks from time to time. For sixty years, many people enjoyed his works and some collected them.
Today, Edwin Loftus is retired. Even if he sold all his paintings for the price he asked, "artist" would be the lowest paid job he ever had... but that's the way it is. It won't matter to him after he dies. He just hopes that some people will like what he does enough to enjoy it in the future.
- Nationality: UNITED STATES
- Date of birth : 1951
- Artistic domains: Works by artists with a certified artist value,
- Groups: Certified Artists Contemporary American Artists