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Orbis Eight (2024) 纺织艺术 由 David Barnes
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- 包装 (管) 所有的作品都配有优质的承运方，经过严格的包装保护和已投保。
- 监控 跟踪订单，直到包裹交付给买方. 将提供跟踪号码，以便您可以实时跟踪包裹。
- 延迟 大多数包裹在1至3周内在全球范围内交付 (估计)
- 不包括海关 价格不包括海关费用。大多数国家/地区对原创艺术品没有进口税，但您可能需要支付减免的增值税。海关费用（如果有）将由海关在抵达时计算，并由承运人单独计费。
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- 认证评级艺术家 专家研究一个艺术家的工作和职业生涯，然后建立一个独立的，可靠的平均价格值。平均价格价值座落在一个价格范围内的某一时期的艺术家。专家们也可能被要求建立一个更精确的估计为特定的工作。
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原创艺术品 (One Of A Kind)
纺织艺术,
布
/
拼凑物
/
挂毯
在皮革上
- 外形尺寸 高度 59.1in, 宽度 37in
- 艺术品状况 艺术品完好无损
- 是否含画框 此作品未装裱
- 分类 纺织艺术 低于US$5,000 几何 抽象主义
It is made from hand cut original modular patterns using an innovative no sew, no glue technique. The shape of each individual piece was hand-drawn and then cut with a “cookie-cutter” style knife. This work incorporates 216 individual pieces.
The artwork is made using locally sourced, high-quality leather that is reclaimed from the shoemaking and accessories industry. The resulting richly textural pieces give rise to a vast range of design possibilities, bringing dynamism and interest to any interior space.
Selecting a calming palette of blues, creams and soft greys, this wall hanging incorporates a pattern border with a central motif as often seen in Afghan rug designs. Handmade with suede leather.
相关主题
The latest series, I am working on, involves using recycled leather cut-offs from the shoe making industry here in Portugal. The range of colours and surface finishes available creates a unique palette to work from. Each individual piece is cut using a "cookie cutter" knife, made from a hand-drawn template.
My work has always explored the different layers and patterns behind everyday reality. Everything is a construction of different parts and elements. The visual world has underlying structures and patterns that combine to give us our perceived reality. My art seeks to reflect the connections and layering.
The geometric design is hand drawn using a compass and straight edge.
The combination of geometry and colour allows the eye to wander over the surface, and for me, has a meditative quality.
With collage, the act of cutting through a sheet of material reveals a window into another layer below. My work tries to create a sense of surface pattern, letting the eye roam over the picture plane, as well as creating a sense of depth and of space receding behind the surface.
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